Gary Jackson: Fire When Ready Pottery
A Chicago potter’s somewhat slanted view of clay & play
Categories: clay, process, studio

So my reclaim pile of clay has been sitting on my plaster bat for awhile…
as the extra moisture settles out and the clay stiffens up. It was still a bit sticky to the touch, but firm enough to get started with the cutting, wedging & bagging part of the process. I start by shaving off large chunks of the clay with my wire tool.

You can see that my reclaim clay mixture is just that… a MIXTURE.
I am more than willing to mix-up all of my assorted reclaim scraps. I will add in any kind of clay as long as it’s a high-fire cone 10 clay body. So you can see there are still some sections of porcelain, darker, ochre clay, lighter B-clay, some organic grayness… and unexpectedly, some blemishes of terra cotta red that must have gotten in there accidentally. Luckily, there wasn’t a lot… so I figure it will just blend in and add a bit of iron-richness to the clay… and it won’t affect the final firing temperature of the mixed clay.

Cause after all… as I tell my students… IT’S JUST CLAY!!!

I take the large chunks and lay them out on my wedging table so the canvas can soak out some more of the extra moisture. I do a very brief wedging of the clay, and then shave off layers and re-stack them into small piles.

I take the stacked piles, cut them in half and stack them back on themselves. Cut the stack in half and layer them on top of themselves again. Repeat a couple times and the layers begin to get thinner & thinner as the clay mixes evenly. It’s a LOT quicker & easier than just straight wedging. The layers squish together easily with a little bit of gravity & slamming down on the table to help along the way!

A bit of quick wedging, and then I set it aside to carve off another chunk from my reclaim pile.
Piece by piece… slice by slice… chunk by chunk…

As I wedge up the piles, the clay is still a bit wetter than I want, so I throw them out stretched as a quick slab… and stand them up so they get some extra air exposure.

Some more wedging of the pieces and they get placed in clear bags. I don’t worry too much about a “perfect” wedging at this point, as I know I will do more wedging when I get around to actually using the clay.

So after a couple hours of cutting, layering & wedging…
I now have well over a hundred pounds of reclaimed clay.
FREE CLAY just from a little work… my favorite kind of clay!!!

 

 

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3 Comments

January 19th, 2020

Just a note to suggest a change of wpelling in furst parragraph. I know of lots of strange [pttery practices, but to wee on clay is a first.

Donna Grammas

January 19th, 2020

I call the clay, Studio Clay. It’s a lovely mix with an iron content and grittiness all it’s own.

January 19th, 2020

HA!!!
Thnak Yu so much BarbEra!!!

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