Today I fired my soda kiln. It was a long day at the studio.
A long day of firing. A long day of firing the kiln.
A long & productive day of cleaning & organizing my studio.

The day starts early in the morning with blue flames going in…

And ends with a lot of orange flames shooting out… exaggerated by the addition of the soda mixture, and flaring out of the reduction environment seeking the oxygen!

It’s always exciting to fire a kiln and know that soon you’ll be seeing the pieces you’ve created finally done. You’ve worked on things for so long. Throwing. Stamping. Trimming. Firing. Glazing. And finally firing again. One step closer to the finished product.

So I’ve been glazing a lot. Getting ready for my upcoming soda kiln. Glazing. Cleaning. Wadding. Getting them all ready for their trip downstairs to the soda kiln. At this point, I have one side done of my rolling cart. It’s a LOT of the smaller pieces. The ones that seem to take so much more time. But the good side is, that once my rolling cart is full of glazed work, I know that it pretty much equals a full soda kiln load. So I have one side done… more glazing & wadding tomorrow!!!

And yes, I’ve once again added on my masking tape “safety belts.” As I need to roll my cart down the hallway, take it down the rickety freight elevator, and then roll i tall the way onto the kiln room, I have found that some pots like to “jump off” the cart if you’re not careful. So a few “safety belts” help keep everyone safely in place!

Back to reality… with the kick-off of my summer art fair season just over a week away, I’ve really got to finish labeling & stamping my postcards so they get in the mail today!!!

So I pulled out all of my bisque today to start the glazing process. Which I must admit is my least favorite part of the whole process?! Every time I start I keep thinking that I need to find someone to do this for me?! Ha… like that will ever happen?!

And this is just the first half…
there’s another bisque kiln firing that I still need to unload & glaze as well!

After my “greenware explosion surprise”... I was ready to some quick loading. Quick because I really wanted to get home for a goo night sleep in my own bed!!!

Layer 1 – bowls, salt & pepper shakers, mini vases & glaze test tiles

Layer 2 – plates for berry bowls, tiles and some porcelain Christmas ornaments.

Layer 3 – More berry bowls, salt & pepper shakers, ikebanas, tiles and mini’s.

Layer 4 – More ikebanas, more tiles, more glaze test tiles and the “exploded” greenware plates!
Really no good reason to glaze them… other than a souvenir and visual “evidence” of my story!

Layer 5 – tumblers, a couple mini’s and some porcelain pieces by studio neighbor Karen Patinkin.

After a LONG day in the car driving home from Minnesota, we finally made it to my parents house where we switched cars and I continued back into the city. It was late. I was tired. But I knew that I still had work to do. With my next soda kiln less than a week away, I knew that I had to fire one last bisque kiln if I was going to have time to glaze the pieces. So it was a very late night at the studio loading my bisque kiln.

So there I was bringing pieces in from my studio, and taking them down from the shelves in the kiln room. Only to notice some “explosions” on three of the berry bowl plates! And I have no idea what happened?! Three of the plates appear to have had “explosions” while I was out of town.

So here’s the sequence of events… I threw the plates. Dried them to a soft leatherhard. Did a little stamping. Dried some more. Trimmed them and then let them dry in my studio. The next day, I stacked them up and took them down to the kiln room for storage. There were five stacks of four plates. Now I know for a fact that I would never stack plates  if there was ever a chance they were still wet. So the tray of plates was sitting in the kiln room for a couple weeks while I continued to make more work in my studio. And I do this all the time. I frequently have trays of greenware drying until I load my next bisque kiln.

Anyway, when I took the tray of berry bowl plates down, three of the plates had “explosions” on them. It was the top two in one stack, and the top one on another stack. Cracked. Broken. Exploded. And if you look closely, you can even see some of the “rubble” that exploded up and out of the plate?! Someone suggested that maybe something fell and landed on them?… but if that was the case tey would have cracked downwards, not up! And so far… the best “solution” is that there was some moisture trapped inside even though they appeared to be dry. And then somehow the temperature in the kiln room exceeded normal levels… which would have to be hovering above 200-degrees for this kinfd of damage?! Any other possiblities? Any other thoughts on how this might happen???

Just saw this on the Internet and had to share…
It’s a pretty cool, time-lapse video of potter Charan Sachar doing some fun slip trailing. Each on their own is not too intricate. Not too difficult. It’s a technique that I’ve done before, and showed my students how to do as well. But it’s the ease, clarity and consistency that he shows off in the video… again… and again… and again… it’s almost dizzying!

Click here to see the time-lapse video of Charan Sacher.

And then, it looks like they’re glazed & fired to finish them off… like most pots! But it’s the geometric patterns and slightly raised slip decorations that give them a pop of fun! And now I somehow feel like I need to go get a henna tattoo?!

After finishing my salt & pepper shakers, I was onto my next project. Refilling my inventory of miniature vases. It’s pretty tough to wedged & throw such a small ball of clay. So I find it so much easier to throw them off-the-hump. Which really just means that I wedge a large ball of clay, and center it very roughly. No need to get it perfect. Then, I pull a small part up to the top of the hump and center just that little bit. Don’t worry about all of the clay below that little bit. Then you throw a small vase and cut it off. Pull up another small bit, center it and throw another small vase. Cut it off… repeat… again, and again!!!

And of course… smaller vases need smaller stamps!

A little stamping… on a little vase… with a little stamp!

Now they’re all stamped and wrapped up in plastic. Waiting to be trimmed and slip accented.

My salt & pepper shaker forms have been stamped and drying to a nice leatherhard. Now they just need holes… for the salt to go in, as well as to come out!!! And what better way than to do them with my power drill?! So much quicker & cleaner than drilling them by hand.

Put them together… aim… pull the trigger and make some holes!

As simple as that. As long as your clay is on the drier-side of leatherhard. If you clay is still a bit too moist, the drill will get gunked-up with clay and not give you clean holes.

Once I drilled them all, I added some colored slip accents to them all.

So now they’re all drying… getting ready for a quick bisque and then into my next soda kiln!

Last night, after my IRS audit and incredibly yummy “lunch”…
I wedged up a bunch of small balls of clay. Each of them 3/4 of a pound.
And then started throwing them all. On the wheel that is… not against the wall…

They all kind of look like cupcakes at this point?! But I’m hoping that after some stamping, detailing & trimming, these might become even cooler. Maybe even cool enough to become salt & pepper shakers?!