Gary Jackson: Fire When Ready Pottery
A Chicago potter’s somewhat slanted view of clay & play
Categories: glaze, organization, process, production

My studio cart works especially well when I’m glazing & wadding for a soda kiln. When my cart is full… it pretty much equals a full kiln. So then I put these masking tape “seat belts” on the shelves so no pots can jump off during their ride down the rickety freight elevator to the kiln room.

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