Gary Jackson: Fire When Ready Pottery
A Chicago potter’s somewhat slanted view of clay & play
Categories: pottery, process, production

Technical difficulties resolved… and now retroactively catching up!

With my soda kiln less than a week away, I’m now in “full-on glazing mode.”
Luckily, since it’s a soda kiln, glazing is pretty much inlaying glaze into my stamped
textures. So I paint on a layer of temoku glaze, then gently wipe off the top surface with
a damp sponge – leaving the temoku in the recesses of the stamps. I find assembly-line
is my favorite method… thanks to the brilliant Henry Ford!

Then a quick liner glaze, some sprayed on glaze color accents and they’re good to go.

Oh yeah… plus some small pieces of wadding glued onto the bottom to keep the pots
from sticking to the kiln shelf during the atmospheric firing.

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