Gary Jackson: Fire When Ready Pottery
A Chicago potter’s somewhat slanted view of clay & play
Categories: bowls, pottery, process, production, stamps, studio

As part of my “big” production day in the studio, I threw five more serving bowls with soda clay. I let them set-up for awhile and had the opportunity to stamp them today. Usually I do it the next day, or even two days later. But since I was cranking things out today… it was great to be able to stamp them today!!! I’m kind of rushing to fill a kiln next weekend. The “faster” I can get things done, dried and into a bisque kiln the more time I’ll have to glaze & wad.

Bowl #1 –

Bowl #2 –

Bowl #3 –

Bowl #4 –

Bowl #5 –

So now they’re loosely wrapped up for the night… and I hope to trim them tomorrow.

Categories: bowls, process, production, studio

It felt great to get back into the studio tonight after this weekend’s art fair in Evanston… and the start of another week of Summer Camp kicking off today. Luckily, the bowls I stamped last week were at a perfect leather-hard state for trimming. So now they are all trimmed, burnished, signed and drying upside-down.

Categories: bowls, pottery, process, production, stamps

Last night I stamped some more larger, serving bowls. I always love to see the transformation from the “plain” round bowl to the stamped & textured finished bowl. It always surprises me when I see how much of a change can be made with just a couple stamps!!!

Bowl #1 –

Bowl #2 –

Bowl #3 –

Bowl #4 –

Bowl #5 –

So now they’re wrapped up loosely for the night… hoping to dry them up to a good leather-hard state so I can do some trimming on the bottoms.

 

Categories: bowls, process, stamps

This past Tuesday night, I did a demo on making larger bowls. Remember, last week I introduced making “bowls on purpose” instead of a cylinder gone bad. This week we went a little further. And I showed them how to make a larger bowl… with a larger piece of clay! When I took my demo bowl upstairs to store it in my studio, it was still too wet to stamp. So I let it sit under plastic overnight so I could finish off the bowl with a little stamping!!!

Here’s the bowl after the first round of stamping.  Just a single row of stamping around the rim can make a HUGE difference. Suddenly, it’s no longer just a plain round bowl.

Next, I took the rounded end of my large loop trimming tool and did a little decorative curving of the edge. Lining up the curves in between each of the stamps.

And if one line of stamps is good… wouldn’t two rows be even better?! So I added another of stamps with a smaller “detailing” stamp just for fun. And sadly, you can’t see it, but I added another row around on the outside of the bowl too!

So here’s the “finished” bowl after stamping. Now it still needs to dry slowly to leather-hard so I can trim it. Then the usual… trimming, drying, bisque firing, glazing & final glaze firing!

Categories: bowls, classes, production, stamps

That time of the session again… Last night was the night we tackle making “bowls on purpose” instead of cylinders gone bad that just happened to turn into a bowl. It’s my favorite class to teach of the whole session. Not only is it fun to see the light bulb go off when they realize that they can do it too… but also when they see how much FUN they can have moving their clay around.

So I started with a full bag of clay… cut it up into 13 pieces and started wedging. We then sat down for the bowl making demo. Once we had covered the basics on bowls, they all went back to work while I made twelve more bowls. When I was done throwing all thirteen, I called them back and we went through some quick tricks to make each of the “identical” bowls each a one-of-a-kind piece of pottery!

Bowl #1 – Two simple fluted edges.
A quick flick of the fingers can change the whole profile of a simple round bowl.
Two fingers side-by-side. one inside, one outside. Pinch. Twist. Repeat.

Bowl #2 – If two are good, eight fluted edges might be even better?!

Bowl #3 – No need to leave bowls round, right?!
So I showed my class quickly how to alter the shape a bit. A little pull here, a little tug there, and suddenly the bowl is slightly squared-off. And then I indented the four “straight” sides. I’m kinda thinking that there may be a handle added to this one at some point?!

Bowl #4 – A simple flange flared out along the top rim.
Unfortunately, somehow I missed taking a “Before” picture of this plain bowl. But I’m sure it comes as no surprise that “any” plain bowl needs to be decorated. Last night I threw the bowl, and tonight I added a stamped line around the bowl where the flange meets the bowl interior. So here’s the “After” picture…

Bowl #5 – The same simple flange, but now fluted in four places!
Combine a simple flared flange with four fluted edges. Which then presents itself with a great line waiting to be stamped. So last night I threw the bowl, and tonight I did some stamping.

Bowl #6 – Another simple flange, this time further down & wider! More room to play later…
Again, last night I threw the bowl, then tonight I did a little stamping & white slip decorating for contrasting accents. This time, a little more whimsically stamped… not quite so geometrically repetitive.

Bowl #7 – A quick flower made with a simple dragon-scale tool. Twelve impressions. One flower.

Bowl #8 – A split rim, pinched back together in four places.

Bowl #9 – A simple flange with a quick layer of white slip. I think once this bowl dries & stiffens up a bit, I might do some carving through the white slip to reveal a design and contrast between the slip and then ochre clay body.

Bowl #10 – Simple bowl. Simple slip. Simple spiral. Cover the bowl with a simple layer of white slip, then drag the rounded end of a tool through the slip and upwards as the wheel is spinning. The goal is to reveal the contrast between the slip and the ochre clay body. It’s also a nice bonus that there’s some thickness to the remaining slip to add some texture & pooling-possibilities for the glaze.

Bowl #11 – If a spiral is good, a squiggle might be better?!
And then, as I was carrying all of my demo bowls upstairs, this one bowl bumped into one of the racks in the hallway – denting in one side. It would never be “perfectly” round again, so I did a little creative camouflage… and squared it up!

Bowl #12 – White slip with some rhythmic chattering. I cover the entire inside of the bowl with some white slip, and then take my green rounded rib and tap it through the slip as the bowl is spinning. While it spins, and you’re tapping, you also need to move up the bowl all at the same time! The final result is a combination of all three movements & speed of each.

Bowl #13 – White slip over some newspaper cut-out stencils. I just cut the numbers out of a newspaper, wet the paper and stick them onto the inside of the bowl. Then carefully paint white slip over the letters to make sure they are stuck down well. Then it’s a quick coverage over the whole bowl. The tough part is peeling out the newspaper stencils after the slip sets up a bit.

So there they are… all thirteen bowls. All made from one bag of stoneware with ochre clay. I chose the ochre clay as it fires to a beautiful chocolate brown in cone 10 reduction… which also makes for a really beautiful contrast to the white slip.

Hopefully, my students enjoyed the demo. Not only to I hope they learned how to make bowls “on purpose”… but also to get over the beginner’s feeling that each piece is SO precious. They need to play with their clay and be willing to make a few mistakes along the way. It’s just clay. It’s nothing too precious. And they need to build up some confidence and start making some bowls that express themselves. Not just the basic round bowl that the wheel kinda made for them!

 

Categories: bowls, glaze, kiln firing, mugs, pottery, production

Once the kiln cooled off enough, I started unloading. Layer by layer. Shelf by shelf. By the time I was done, I was excited about the new assortment of berry bowls, mugs, tumblers, soap dispensers, bowls, tumblers, tiles & more!

Just in time for my next art fair in a couple weeks.
Evanston Lakeshore Art Fair on Saturday, August 3rd & Sunday, August 4th.

And here’s a quick peek at the latest batch of glazed mugs…

I’m especially fond of this blue-ish glaze on mugs thrown with B-Clay. I like how it pools, puddles and accentuates all of the stamping! Pretty sweet if I do say so myself.

Categories: bowls, process, production, studio

The kiln is loaded. My glazing is done. The kiln has been started.
Sadly, not everything fit in…

As I was cleaning my studio this morning, I “created” a couple stacks of bisque that didn’t quite make it into the glaze kiln. Looks like I’ve got a good head-start on my next kiln, huh?!

I’ve already waxed the bottoms… and therefore stacked them with newspaper in between just in case. I don’t want to risk any transfer of the wax resist while they wait for my next firing!

Categories: bowls, glaze, process, production

The glazing has begun. My mind is getting glazed over. And it’s starting to “spread out” all over my studio. It’s amazing to me how neatly stacked piles of bisqued bowls can suddenly take over my small space once they’re glazed and no longer stackable?! Crazy. And it’s also crazy to me to see just how much bisque I have piled up in my studio… I had NO IDEA that there were so many pieces in there waiting to be glazed!!! Crazy!!!

Categories: bowls, nature, stamps

My cousin Kim grew her own strawberries this year in her garden…
and then made then even yummier by putting them in one of my bowls!

Categories: bowls, classes, pottery

Not only was tonight our last class, but it was also my class Bowl Exchange. Everyone brings in a bowl. We “disguise” them in bags and then we do a kind of “White Elephant-Yankee Swap Game” to trade ’em up! Some blind choosing, some trading, some stealing… others being too nice to steal! Luckily, in the end, I came home with this sweet white bowl made by Yukari… with just the most subtle of pinks on the inside!