Painting some colored flashing slip on a few last-minute pieces for my upcoming soda kiln! If all goes well, the slip will turn orange & the textures will all be accentuated by the soda-firing atmosphere! Fingers crossed.

After a couple hours of “Pottery-Tetris” last Friday night… the back stack was loaded, and then the front two-thirds loaded. It filled up pretty quick & might be a little tighter than I would like it to be?! But confident that I’ll be able to “push” the soda deep into the kiln during the firing. All stacked & ready to brick-up the door! And then home for the night…

So last Friday night, I rolled my studio cart down to the kiln room… via the jenky freight elevator… yikes! Everything arrived safely and I was all glazed & wadded… ready to start loading the soda kiln. The challenge is always to “squeeze in” as many pots a possible… while still leaving enough open spaces for proper air-flow through the kiln so the soda atmosphere can make its way though to hit all of the pieces! Here we go…. giddy-up!

Today I stamped the cylinders that are going to become my “matching” mugs for class. I decided to turn them into two different sets… with two different “sets” of thrown cylinders that were closer to matching than the others. And then I stamped each “set” with a different stamp. Hoping that as I trim them & add handles, they will continue to get even more matchy-matchy!!!

Hanging out in the studio tonight painting colored flashing slip accents on a bunch of mini’s… and watching the Olympic Opening Ceremonies in Paris! The pomp & circumstance… the performances… the theatricality of it all… oh, and the athletes too.

The Opening Ceremonies are always my favorite part of The Olympics…
what are you looking forward to most???

Another batch of mugs assembled with fresh handles!!!

A little Sunday night spruce-up in my studio. I trimmed & slip-painted a few class demo pieces, did some cleaning & pulled out a LOT of reclaimed clay onto my large plaster bat. It’s going to take a couple days for this gloppy pile to dry out a bit before I can start wedging it back into usable clay. But you know it’s my favorite… FREE CLAY!!!

Spent part of this weekend “working” in the studio reclaiming some dried clay. Trimmings, broken pieces & some class demos that “went bad.” Smashing, crushing & pulverizing bone dry clay can be kinda fun. Then I add it to my reclaim bin with slurry & water. Let it soak & slake down… soon enough I’ll turn it out into a large plaster bat. And voila’… FREE CLAY!!!

Packed tight from top to bottom, as well as the three shelves deep. It’s a lot of pots & mini tiles trying to utilize as much surface space as possible… trying to get the most out of every soda kiln firing!

Backing it up a couple days… to Friday when I finally finished my glazing & wadding, and took my pots down to the kiln room to start loading the soda kiln. Since my studio is on the second floor of Lillstreet, and the soda kiln is on the first floor… my pots need to travel downstairs in the rickety freight elevator. So I’ve learned to use some masking tape as “seat belts” to keep everything place during the journey.