Gary Jackson: Fire When Ready Pottery
A Chicago potter’s somewhat slanted view of clay & play
Categories: bowls, classes, process, production, stamps, textures

After Tuesday night’s bowl demo, I felt that some of the bowls needed a little “extra” lovin’. So last night I did some stamping & detailing to a few of the bowls. Unfortunately, my students aren’t around to see this part of the process. Hopefully this little “photo journey” will help clear up how the “magic” happens!

Bowl #1 – Originally fluted in four parts.
So I accentuated the four parts with some “sectional” stamping!
Playing along with the design & geometry of the bowl, now accented with stamps!

Bowl #2 – Originally a plain bowl with a bent-out, flanged rim.
Now with a little accent border of stamped texture!

Bowl #3 – Originally a flared out rim & fluted edges.
Now with a border of stamping just below the fluted fun.

Bowl #4 – Originally a large plain flange on a small bowl.
Which is really just a great “canvas” to do some stamping, right?

Bowl #5 – This one was originally just a bowl with a split rim.
Now it’s stamped and pinched back together in all the right places!

Bowl #6 – In class we left this one with the split rim and pinched together in 8 places.
I added a couple stamps, some little add-ons and a bit of curving.

Categories: bowls, classes, lillstreet, process, production

Tonight was a big night for my class when they learned how to make bowls on purpose instead of a cylinder gone bad… whoops, here’s a bowl! So we started the night with a demonstration of how to make a proper bowl. Then, as my students went back to try their hand at the wheel, I continued to throw more bowls. Once I had finished the bag of clay, I had twelve basic bowls – all kind of the same size & shape. All of them basically round. All of them basically plain.

Part Two of the class demo is to convince my students to “play with their clay” and get it to do something fun. I try to instill in them that the wheel is only a tool and it’s up to them to be creative and turn it into a “work of art.”  To make it their own! So my goal was to show them a few quick tricks to turn each one into something different. Nothing too tough, just some fun options for them to play with! All of  sudden, we had twelve different bowls… no longer the basic round bowls we started with!

Here’s a quick look at them one at a time…

Bowl #1 – The simple round bowl with four fluted accents.

Bowl #2 – The simple round bowl with the top edge flanged outwards. This one will probably get stamped tomorrow night… a few stamps never hurt anyone, right?!

Bowl #3 – A combination of #1 & #2… with the flanged edge and fluted accents combined. Odds are some stamps might hit this one too?!

Bowl #4 – The simple round bowl now with an even wider flange flattened out. That wide flange is screaming for some fun surface decoration, right?!

Bowl #5 – The simple round bowl with a split rim… done with the point of my wooden knife.
Kinda plain now… but this one will be stamped and fluted back together soon.

Bowl #6 – The same split rim technique, but this time pinched back together in places. The little pinch marks kind of bug me right now. For some reason they don’t look quite finished. So I’ll come up with something…

Bowl #7 – The simple round bowl with a small floral design made with a dragonscale tool pressed in a couple times into the freshly thrown bottom. Twelve impressions in case anyone’s counting?!

And then I introduced decorating with colored slip… or in my case, white slip…
Bowl #8 – I coated the interior and then dragged the round end of my wooden knife through it as the bowl was still rotating on the wheel. I especially love how the layer of slip creates some textures inside when dragged through it. The glaze should pool nicely in there somewhere…

Bowl #9 – Then we talked about what would happen if you goofed up halfway… so we stopped the spiral halfway up and finished with banded rings around the top.

Bowl #10 – With the addition of slip, I showed them a way to make Bowl #4 with a decorated flange. I coated it with white slip, and then dragged through it with the rounded end of my wooden knife.

Bowl #11 – After a layer of white slip, I used my curved rib to chatter through it. The challenging part is that it’s a steady combination of chattering speed, wheel rotation speed and upwards movement all at the same time!

Bowl #12 – For the last bowl, I cut out the number five from the newspaper. I stuck it on with water, carefully painted over it with white slip, and then coated the interior of the bowl. I then very carefully peeled out the newspaper 5 to reveal the design.

So now all of the bowls are safely up in my studio – wrapped up for the night. I hope to make it back to the studio tomorrow night to do some more stamping & detailing. And then when they’re ready, I’ll trim them up and send them off to the bisque. And in the meantime, I hope that my students are somehow inspired and ready to play a little more with their clay!

Categories: glaze, process, studio

Well, I’ve run out of bisqued test tiles. Yeah, the ones I made back in January, but who’s counting? Since I went through that first batch so “quickly”, I figured I needed to make another batch so I can get them bisqued and move forward!

So I started by throwing two bottomless cylinders, one in stoneware and another in soda clay. I added a bit of texture & stamping to help simulate how the glaze test might react on one of my “real” pots if I ever get that far.

Once the cylinders were leatherhard, it was time to cut them up to create some standing test tiles. I threw them with some intentional “glaze traps” at the bottoms. That way if the glaze test runs a lot it will get caught on the tile, and not run onto the kiln shelf.

As I smoothed out the edges, I also added some numbers to the fronts of them. I figure it’ll be part of my coding system, to keep track of which test tile matches up with which batch of glaze after it’s been fired.

So now they’re all lined up and drying overnight…

Categories: bowls, process, production, stamps

Tonight I stamped the larger berry bowls that I threw last night. Sure, they were still a little damp… which just makes it a little tougher & a little squishier. But sometimes that makes for deeper & more dynamic impressions!

BOWL Aplain and full of potential…

The chosen stamp…

The bowl after stamping & fluting… no longer plain…

Potential fulfilled.

BOWL BAnother plain bowl ready to go…

BOWL CReady for action.

BOWL Dnot just your average bowl… soon ‘nuf.

BOWL Ewaiting for the party…

PLATE – of course the drip plates that go with the berry bowls need to be stamped too!

So now they’re all wrapped up and drying a bit more under plastic. I’m hoping to get back to them tomorrow for a little trimming!

 

 

Categories: bowls, production

Tonight it was back to bowls. This time they’ll become of the berry variety.
So tomorrow night I stamp & decorate before class. Then later it’s trimming & drainage holes.
And then when there’s room on the table, I’ll need to make the drip plates to go with ’em!

Categories: kiln firing, production, studio

I unloaded my bisque kiln tonight.
I even surprised myself with how much stuff just kept coming out, and coming out, more, and more. All I could think about was how long it’s going to take me to glaze all of this?!!!

Categories: kiln firing, process

Tonight I loaded another electric bisque kiln. With some larger pieces to fit in, it’s always a little tougher to “pack it tight” like I love to do. And sadly, I didn’t have my usual “arsenal” of kiln filler to fill in all the holes!

Kiln Layer #1 – upside-down cake plates, mugs, cruets and ornaments.

Kiln Layer #2 – more upside-down cake plates, bowls, mugs and two tumblers.

Kiln Layer #3 – A short layer of ovals & ikebanas.

Kiln Layer #4 -Bowls, wall pocket vases, mugs, ikebanas, tumblers and an oval.

As I got closer to the top, I did have to do some creative stacking, or should I say “tumbling” to get a little more squeezed in. You know there’s always room for just a couple more… as long as the lid closes, right?!!!

Categories: production

Okay, so I’m giving them a try…
I’ve been wanting to tackle cake plates for a long time now. But I’ve always heard horror stories of how they tend to slump & sag in the final glaze firing. So I’ve been putting it off for years. And I finally decided I needed to give ’em a try and go for it. Of course I can’t just test one. That’s just not my nature. So I went ahead and made five already! If one slumps, they’re probably ALL going to slump. But I did my best. I compressed & compressed. I tried to do as much as I could to avoid the slumping. My fingers are crossed.

Each of the cake plates are “destined” for the soda kiln. Some of them are made out of soda clay, and couple made out of B-Clay. The top surface of each of them is slip decorated with a colorful flashing slip. I hope that they really “pop” once the soda atmosphere hits them. I dried them a little slower than I normally would, but now they’re finally ready to be bisque fired.

Cake Plate #1

Cake Plate #2

Cake Plate #3

Cake Plate #4

Cake Plate #5

 

Categories: production, stamps

After a little trimming, stamping & slipping, the simple enclosed “cone” forms I threw Wednesday night were converted into wall pocket vases last night in the studio!

Categories: bowls, process, production, stamps, textures

After bowling, pizza & ice cream, I went back to the studio for an evening of stamping. The pieces that I threw yesterday were a soft-leatherhard, some more so than others. So I started with the drier ones to allow the wetter ones to stiffen up while I was stamping. My plan worked. All stamped and wrapped up again for the night.