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Spinning. Trimming. Make my feet look so much better!
Gotta love that Giffin Grip!

After scooping out another huge batch of hydrated reclaim clay, I just finished pulverizing another batch of dry clay to start the process all over again!

Finishing up some flower pots for some quick-drying & bisque firing. Stoneware with ochre and some colored flashing slips for my soda firing next weekend… and drip trays to boot.

Hoping to have them all ready for the Schaumburg Prairie Arts Festival in two weeks!

Another batch of cylinders are trimmed and ready to become mugs! Yep, the “quadrant-ed” ones!!! So I start by cutting small blocks of clay, and then begin my slamming them down and rotating until I get this compressed “carrot” shape. One for each mug…. and usually one extra “just in case” something happens along the way!

Then I pull my handles the traditional way. Holding the “carrot” in my left hand and pulling it long with a bit of water and friction. Eventually you’ll get a strap of clay – a portion of which will become the handle. I like to flip mine over into a loop so they can set-up close to the shape they will become.

After a good amount of scoring & slipping, handles are attached and we now have MUGS!!!
I like to keep my mugs covered with plastic overnight so the moisture levels between cylinder & handle can balance out a bit. No need to rush them to drying after all of the work you’ve put into them already… what’s one more night if it helps keep your handles from cracking off?

So now they’re all “assembled”… and waiting for some colored flashing slip accents!

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I LOVE TRIMMING.
It’s so much fun to finish off a piece with a well-trimmed foot. I made a decision early on that I would trim everything! It just doesn’t look quite “done” to me if it isn’t trimmed?! But maybe that’s just me?
And luckily, I have a lot of bowls to trim from class this week. So here we go… trim, trim trim!!!

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Working on a little something new in the studio tonight.
Sure, I could’ve tried making just one.. but that’s not nearly as much “fun”
as trying something new with twelve!

Just breaking up some more dried trimmings and used clay for my next batch of reclaim. The smaller I can make these pieces now makes my reclaim slurry smoother later. So a bit more pulverizing now will make a better clay later!

After the workshop, I was back in the studio to turn my stamped cylinders into mugs.
So I started by wedging up some reclaim clay. It’s the same clay body as the thrown cylinders, but I needed to dry it out a bit as it was still too squishy. So I wedged it and then flattened out pieces as slabs so the moisture would soak into my canvas-covered table faster… and then wedged it back up again. I then cut it up into 36 nuggets of clay… one for each of the cylinders. It’s going to be a LONG afternoon!

Then I take each “nugget” and slam it against the table, throwing it a bit away from me so it compresses and elongates at the same time. I rotate the nugget in between each toss. After a few times, you start to get this “carrot” shaped piece of clay.

Then I pull my handles the old-fashioned way. Holding the thicker part of the “carrot” at the top, wetting my hand and sliding it down with a bit of friction. It’s that repeated swipe of friction that starts to lengthen the clay and make it into a strappy handle.Once I get it to the width & thickness I like, I do a quick flick, loop and squish to get them to stand up like this. I like how it establishes the curve of the handle right at the start. Easier than trying to manipulate a straight strap into a curve later.

I let them set-up for about 15-20 minutes. I want them to be malleable, but not sticky or squishy. Then I set in to attaching them. I do a bit of scoring on the cylinder, and then cut off the “good” portion of the handle that I want to use. I score the end of the handle and add some slip. Carefully squishing them together and smoothing out the attachment. I always do the top attachment first, but then do the same for the bottom once I’ve established the right size for the handle.

One the handle is attached both top & bottom, it’s on to the task of smoothing it all together. Trying to make it look nice and smooth, like the handle has grown out of the mug and is actually part of the mug… not just a squished on attachment.

Score. Slip. Repeat…  Score. Slip. Repeat…   Score. Slip. Repeat…  33 more times!

And now all 36 mugs are back under wraps for the night.
Tomorrow night I plan to add some accents with colored flashing slips.

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Spinning fast. Trimming smooth.
Love working with my Giffin Grip… makes studio life so much easier!

And then some signing to finish off the bottoms.
They are now under wraps again for the night… for tomorrow I add handles!

When I first started making pots, I signed the bottoms by printing my name in block letters. A couple years in, I switched to hand signing each and every pot. I prefer the personal signature to reinforce the “handmade-ed-ness” of each pot. And yet, I know some of those old pots are still out there… so we refer to the pots with printed letters as “vintage.”

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