We didn’t get very far… until we stopped at Joe Christensen‘s studio in Hudson, Wisconsin to see some huge pots, vessels & sculptures with wonderful textures, carving, slip patterns & sgraffito. Not surprisingly, larger pots using more clay take a lot more time to dry. So these large vessels have been sitting out for days, and are different stages of dryness. The darker the stoneware clay, the wetter the clay is.
And you thought those ones were big… check out this huge one still sitting on the wheel…
You know how I love texture & pattern… so I knew I had to share these great surfaces with all of you. Some especially wide & deep sgrafitto through the white slip layer.
On the other side of Joe’s workspace are some finished pots. Already glazed & fired.
Now just waiting to go home with a satisfied customer!
For those of you in the Chicago area, Joe and his huge pots will once again be on display at “One Of A Kind” over the first weekend of December. Click here for more information about Joe Christiansen.
So I’ve assembled all of the teapots and decided that some of them needed a little more attention. A little pop of color here & there with some colored flashing slips.
Teapot #1 – slip painted accents on lid & each stamp.
Teapot #2 – just stamped… I figure this one will be glazed with a light coat of temoku.
Teapot #3 – slip painted accents on lid & each stamp.
Teapot #4 – slip painted accents on lid & each stamp.
Teapot #5 – just stamped… I figure this one will be glazed with a light coat of temoku.
Teapot #6 – slip painted accents on lid & each stamp.
So now they’re all assembled & slip painted… and wrapped overnight one more time so they can “dry together” a little bit slower. One they’ve settled in together, I’ll unwrap them tomorrow night so they can start drying… so that they’re ready for my upcoming bisque kiln!
Today I assembled some new mini “pitcher” creamers. The cylinders are thrown, and then I added some textured pieces here & there to finish them off. Some quick handles… and then they’re back under plastic wrap for the night. I like to keep my work under plastic overnight so that handles & handbuilt add-on’s have a chance to balance out moisture levels with the cylinders before they start to dry together!
Special thanks to my friend Cory McCrory for the “pitcher” creamer inspiration. She never ceases to amaze me with her boundless whimsy & creativity. I’ve loved the black & white pitcher of hers in my “Cory Collection.” So much so that I had to do my own variation on a theme!
Awhile back, I did a blog post about one of my students who was interested in adding some text to her pottery. She started using pasta letters… simply squishing them into the moist clay before bisque firing. Click here to revisit the original post on “Tracey’s Letters.”
Well, a lot of people have been asking for a follow-up… and here are some of Tracey’s glazed pots with “pasta-text” on them. After bisque firing, Tracey fills in the letters with glaze and then wipes the top surface away… leaving the glaze only in the letter indentations. This letter technique has been working well for her, especially with the dark “Stoneware With Ochre” clay body that fires up to a dark, yummy chocolate brown.















































