For a very long time, on that long list of things to do…
I finally got around to making & firing some textured soda slip test tiles.
I acquired quite a few slips from my potter-friend Emily Murphy when she moved to
Minneapolis. And yet I tend to go back to the old “tried & true.” Maybe because I wasn’t
sure how all of the new slips would “react” in the soda firing atmosphere. So I made test
tiles with one of my favorite handmade rolling pins, painted on some slip and fired them
in the kiln. Of course, I also had to make little “props” to hold them vertical in the kiln.
I’m excited to have new samples of the slips – all with a good amount of flashing
to show the range of colors & effects you can get in the soda kiln.
I’ve been planning in doing this forever… good intentions… but something else
always seems to come up. Until tonight. I finally got to it.
One of the best ways to get some good color in the soda kiln is with special slips
designed to “flash” in the soda kiln atmosphere. And it seems like I always fall back
onto my “favorites” that I use all the time. But when you look in my studio, I have
quite an assortment of slips. Many of them thanks to Emily Murphy who bequeathed
her “stash o’slips” to me when she packed up her studio and moved to Minneapolis.
So my plans has been to make test tiles for all of the slips… using one of my own
textures and firing them in one of my kilns. So I finally loaded them in tonight up on
the top shelf. I’m hoping to get some dramatic flashing results that demonstrate how the
slip reacts. My fingers are crossed… and I’m glad that my plan finally came together!
Still working towards my next soda kiln… about 9 days away…
and I was kind of panicking thinking I may not have enough to fill the whole kiln.
So I decided to make some new textured slab vases. Great fun playing with textures.
Putting them all over the vases… part of the fun is that both sides of the vase are
different texture “pictures.” So the finished vase can be shown with one side…
and then turned around to look like a completely different vase a few days later!
Once these are dry, I’ll bisque them and do a little bit of glazing… inside & out…
and then let the soda kiln work its magic to help accentuate the textures!
I may have gotten a little out of control. And now I’m pretty sure I’ll have too much
work for the kiln! There might be a “few” pieces that don’t quite fit into the kiln…
As I was loading the kiln, I was carefully stacking bowls…
and began to notice how cool they started looking with the rhythmic repetition
of the curved & fluted rims, the details of the stamped details and the great shadows that
helped define the textures. I may have to consider this… and make some new nesting bowls?!
With last night’s surface decoration demonstrations…
including some techniques from my friend & potter Amy Higgason…
I was surprised with the HUGE coincidence of her posting some pictures
of her own work that she had done in her own studio up in Northern
Wisconsin that same day. So while we were “channeling” the carving style
of Amy Higgason, she was actually doing it too! And much better!!!
Here are some photos of the incredible platter she was working on…
See… THIS is how it’s supposed to be done!!! Stunning as always!!!
Check out more of Amy’s incredible work on her website or Facebook.
Search for Amy at Pigeon Road Pottery.
Last night in class, in between the sweets, we talked about surface decoration
and how my students can turn their own “plain” pots into very special pots!!!
We talked about trying a bunch of techniques, finding the one they love the
most – and then exploiting i doing as much as they can with it. So during class,
I started each of the demo bowls, but quickly found out there was not going to be
enough time to finish the bowls during class. So I finished them tonight in the
studio. And now they’re drying overnight. Tomorrow I’ll clean them up a bit,
and brush off all of the little burrs & crumbles on the pots!
First I did a quick demo on basic stamping… my favorite which they expected…
And then we talked more about slip and how you can put it on with a more
“painterly” technique. So I put on a layer of white slip, and then did some freehand
swirls with green slip. I hope my students liked it… when I came back to it tonight
I realized that I didn’t like it all that much. So I carved through it tonight.
Still not sure if I like it any better than just the slip?! We’ll see…
Then we moved on to carving, and we discussed the work of my friend Amy Higgason.
She stopped by last session for a class demo, and some of my students were there for
that. Unfortunately, Amy wasn’t in town last night – so I had to do my best to attempt
to carve the pot… in something slightly similar to Amy’s beautiful style. One of Amy’s
“disciples” from her demo last session was there as well… and Pam was excited to show
my class one of her pieces that she was currently carving ala Amy Higgason!!!
The next bowl was carved again.. and then we added sprigs. Another Amy trick!
Amy does this incredible work, and I hope she doesn’t mind that I tried to emulate
her style for the benefit of my class. I know they LOVED seeing the demo again!
Plus, one of my concave stamps worked perfectly as a sprig mold.
One more bowl… what to do?… what to do?…
So the last bowl is surprisingly plain & smooth on the outside… let’s work inside!
So I covered the inside of the bowl I covered with a layer of black slip. And then began
a discussion of sgraffito with my class. I started to carve through, but only did a couple
swipes – before I realized that I needed to focus a bit more on my own… and my students
needed to get back to their own bowl making!!!















































