Gary Jackson: Fire When Ready Pottery
A Chicago potter’s somewhat slanted view of clay & play
Categories: classes, lillstreet, process, production, stamps

Last Tuesday, I did some repeat demos for my class for those that missed them
the first time… or didn’t find them quite as easy when they tried to do them!
Totally fine by me. It’s their class and I’m more than willing to demo whatever they want.
And now I find myself with another demo platter thrown and waiting to be stamped.
Well, tonight was the night. First, I started by unwrapping the original platter which was
finally to a good state of leather-hardness to be stamped… just a little softer than
“trimming leather-hardness” typically is.

Then I start by making the first row of impressions with the chosen stamp pressed in one,
by one, by one, by one… again, and again, and again… until you get all the way around
to the other side! And I always have my fingers crossed that they’ll line up just fine!!!

Then it’s time for a second row of stamps to start the pattern…

After a couple more stamps, and a few smaller accent stamps at the bottom of each point
and the stamping portion was done.

Then it was time for a little rim fluting & curving to give the platter a gentle undulating
design. A simple touch to give the platter a completely different look.

Here’s a close-up of the curved rim – just before wrapping it up with plastic for the night.
So now it’s a waiting game until it is dry enough for trimming.

 

Categories: pottery, production, stamps, studio, textures

After camp today, I stayed in my studio to do some stamping, trimming, detailing
& slip painting. Happy to report that all of the squared-off bowls are now done &
drying overnight! Mission accomplished…

Kind of ironic, as I watched the latest “Mission Impossible” movie on DVD while working.

Categories: process, production, stamps, studio, textures

So here’s the platter I threw for my class demo last Tuesday night.
I was hoping to keep it wet enough to stamp it as “class demo part two” next Tuesday.
But it was getting a little too dry a little too quickly. So I had to stamp it today. Here’s the
“demo” I was planning to share… this time in a sequential photo format.

The chosen stamp prepared to make its mark on the platter!

Just getting started… pressing the stamp into the moist clay one, by one, by one…

One row of stamping done. I always love to see how a basic platter can be transformed
so quickly with just a few impressions!

And if one row is pretty, a second row can only make it prettier, right?!


But why stop there? So I finished it off with some scalloped edge stamping. And some small
detailing with notches in the rim and small indentations in the stamps at the points.

Here are the three tools that did all the work… a stamp, a wooden tool… and my hand!

Categories: mugs, process, production, stamps, studio

Once the demo bowls were detailed, I continued stamping!
And tackled the latest batch of cylinders destined to become mugs!
Now that they’re stamped, next up is trimming, then handles, then slip, then drying.

Categories: classes, process, production, stamps, studio, textures

So last night was my “basic bowl” demonstration for my wheel throwing class!
We were working on making each bowl different and unique. After class, I brought them
all upstairs to my studio so that I could do a little more work on them. So today after camp,
I spent some time refining & stamping the bowl samples. It will be fun to show my students
how they’ve all been transformed seemingly “overnight.”

This first bowl has a flared out rim… plain & flat until you add some stamped fun!

This second one has the same flared rim, but with the addition of fluted curves. A simple
ring of stamps keeps the gently undulation of the rim intact without overpowering it.

This third bowl had a simple, solid layer of white slip inside. Kinda plain & boring.
But a quick textured rim makes all the difference. One stamp… again, and again, and again!

One of my students asked about a “squared-off” bowl form, so I took the split rim and
literally pulled out the corners to create a square-ish bowl. But it seemed a little predictable.
So I decided to highlight two opposing sides as a “canvas” for some fun stamping,
and changed the split rim on those same sides!

With a wider flanged rim, I originally though I was going to stamp the whole thing.
But then I thought “hey, I do that all the time.” So I forced myself to try something a
little different. Nice… but I’m not quite sure if I like it or not?

So there it is, the demo behind the demo. The “magic” that occurs in my studio after class
ends. The bowls are still wrapped overnight and waiting to be trimmed and finished. I may
actually add some more “fun” to the bowls before they done and ready for the bisque kiln.

Categories: stamps, summer camp

This morning, my wheelthrowing campers trimmed & finished their first stoneware pots.
And look… surprisingly, they were also stamping them!                                  Go figure…

Categories: classes, process, production, stamps, textures

Last night’s class demonstration was plates & platters. My beginners are progressing
quite nicely… cylinders, bowls, mugs… and now plates! I explained to them that plates
are fairly easy to throw, and that the drying & trimming of them is the hard part.
In class I threw two plates. But of course, I can’t leave a plate plain…
so tonight I stamped them up!

The class demo four-pound plate…

And now for the six-pound platter…

Plus, we have new clay at Lillstreet Art Center. For years we’ve had the same selections
of stoneware, B-Clay and porcelain. We’re now trying something new from Continental Clay.
It’s Stoneware with Ochre… which from what we’ve seen turns out to be a dark chocolate
brown after firing in a cone 10 reduction kiln. This is my first time trying the new clay…
hence the slight “greenish” hue in the clay. It was fun to throw with… although the color
was a little off-putting.

Categories: glaze, kiln firing, pottery, process, stamps, textures

I love it when patterns, textures, slips & glazes all come together!
Just a few more “teaser textures” that jut came out of my soda kiln yesterday!!!

Categories: process, production, stamps

After finishing the slab vases with some colored slip accents,
it was time to make another “batch” of something. I was feeling a little less than inspired,
so I decided to make one of my favorites. No, not mugs… but ovals.

This time they’re slightly smaller – not so much a casserole, but more of a bud vase or
tchotchke keeper! I was pretty pleased with today’s “production” mode. Throwing them all,
stamping them all and ovaling them all in one afternoon! Okay, so I “pushed it” a bit.
The ovals were a little wetter than I would like them to be… in fact, I had one casualty while
stamping when the clay was to wet, stuck to the stamp & wouldn’t release! It ripped instead!

They’re wrapped up overnight and tomorrow I’ll add the bottoms, as well as some
colored slip accents! Finish these off… and then it’s another batch of… something?!

Categories: process, production, stamps, Taylor, textures

With my next soda kiln less than two weeks away, it’s time to start making some of the taller
pieces that will go on the top shelves… and follow the curve of the roof quite nicely. These
large slab vases are a lot of fun to make with different textures on each side of each vase.

Now that they’re all stamped and ready to start drying, I just need to add some colored
slip details on them. Good thing Flat Stanley stopped by to help!

Yep, my first grade niece Taylor read one of the “Flat Stanley” books and is now watching
Stanley travel around. I received Flat Stanley in the mail yesterday and have about a week
to capture his travels and exploits around the city. I thought it only fitting that Flat Stanley’s
first stop would have to be the studio where Taylor loves to play in the mud!
Apparently Flat Stanley like to play in the mud too!