Gary Jackson: Fire When Ready Pottery
A Chicago potter’s somewhat slanted view of clay & play
Categories: bowls, classes, production, stamps

That time of the session again… Last night was the night we tackle making “bowls on purpose” instead of cylinders gone bad that just happened to turn into a bowl. It’s my favorite class to teach of the whole session. Not only is it fun to see the light bulb go off when they realize that they can do it too… but also when they see how much FUN they can have moving their clay around.

So I started with a full bag of clay… cut it up into 13 pieces and started wedging. We then sat down for the bowl making demo. Once we had covered the basics on bowls, they all went back to work while I made twelve more bowls. When I was done throwing all thirteen, I called them back and we went through some quick tricks to make each of the “identical” bowls each a one-of-a-kind piece of pottery!

Bowl #1 – Two simple fluted edges.
A quick flick of the fingers can change the whole profile of a simple round bowl.
Two fingers side-by-side. one inside, one outside. Pinch. Twist. Repeat.

Bowl #2 – If two are good, eight fluted edges might be even better?!

Bowl #3 – No need to leave bowls round, right?!
So I showed my class quickly how to alter the shape a bit. A little pull here, a little tug there, and suddenly the bowl is slightly squared-off. And then I indented the four “straight” sides. I’m kinda thinking that there may be a handle added to this one at some point?!

Bowl #4 – A simple flange flared out along the top rim.
Unfortunately, somehow I missed taking a “Before” picture of this plain bowl. But I’m sure it comes as no surprise that “any” plain bowl needs to be decorated. Last night I threw the bowl, and tonight I added a stamped line around the bowl where the flange meets the bowl interior. So here’s the “After” picture…

Bowl #5 – The same simple flange, but now fluted in four places!
Combine a simple flared flange with four fluted edges. Which then presents itself with a great line waiting to be stamped. So last night I threw the bowl, and tonight I did some stamping.

Bowl #6 – Another simple flange, this time further down & wider! More room to play later…
Again, last night I threw the bowl, then tonight I did a little stamping & white slip decorating for contrasting accents. This time, a little more whimsically stamped… not quite so geometrically repetitive.

Bowl #7 – A quick flower made with a simple dragon-scale tool. Twelve impressions. One flower.

Bowl #8 – A split rim, pinched back together in four places.

Bowl #9 – A simple flange with a quick layer of white slip. I think once this bowl dries & stiffens up a bit, I might do some carving through the white slip to reveal a design and contrast between the slip and then ochre clay body.

Bowl #10 – Simple bowl. Simple slip. Simple spiral. Cover the bowl with a simple layer of white slip, then drag the rounded end of a tool through the slip and upwards as the wheel is spinning. The goal is to reveal the contrast between the slip and the ochre clay body. It’s also a nice bonus that there’s some thickness to the remaining slip to add some texture & pooling-possibilities for the glaze.

Bowl #11 – If a spiral is good, a squiggle might be better?!
And then, as I was carrying all of my demo bowls upstairs, this one bowl bumped into one of the racks in the hallway – denting in one side. It would never be “perfectly” round again, so I did a little creative camouflage… and squared it up!

Bowl #12 – White slip with some rhythmic chattering. I cover the entire inside of the bowl with some white slip, and then take my green rounded rib and tap it through the slip as the bowl is spinning. While it spins, and you’re tapping, you also need to move up the bowl all at the same time! The final result is a combination of all three movements & speed of each.

Bowl #13 – White slip over some newspaper cut-out stencils. I just cut the numbers out of a newspaper, wet the paper and stick them onto the inside of the bowl. Then carefully paint white slip over the letters to make sure they are stuck down well. Then it’s a quick coverage over the whole bowl. The tough part is peeling out the newspaper stencils after the slip sets up a bit.

So there they are… all thirteen bowls. All made from one bag of stoneware with ochre clay. I chose the ochre clay as it fires to a beautiful chocolate brown in cone 10 reduction… which also makes for a really beautiful contrast to the white slip.

Hopefully, my students enjoyed the demo. Not only to I hope they learned how to make bowls “on purpose”… but also to get over the beginner’s feeling that each piece is SO precious. They need to play with their clay and be willing to make a few mistakes along the way. It’s just clay. It’s nothing too precious. And they need to build up some confidence and start making some bowls that express themselves. Not just the basic round bowl that the wheel kinda made for them!

 

Categories: bowls, nature, stamps

My cousin Kim grew her own strawberries this year in her garden…
and then made then even yummier by putting them in one of my bowls!

Categories: classes, creativity, stamps

One of my returning students came in this session and said she wanted to focus on words & typography. She ended up with this great trick of using letter pasta! She presses the pasta into the moist clay. And burns them out in the bisque firing to literally put her voice into her pots… or in this case, Kenny’s voice!!!

Ya’ gotta love the organization… wioth the perfect containers in the perfect box. And then each containers holding letters that are pre-separated. I would expect nothing less form a good Montessori School teacher.

And here’s her mug… ready for any “Gambler” in the family!

Categories: process, production, stamps

After finishing my salt & pepper shakers, I was onto my next project. Refilling my inventory of miniature vases. It’s pretty tough to wedged & throw such a small ball of clay. So I find it so much easier to throw them off-the-hump. Which really just means that I wedge a large ball of clay, and center it very roughly. No need to get it perfect. Then, I pull a small part up to the top of the hump and center just that little bit. Don’t worry about all of the clay below that little bit. Then you throw a small vase and cut it off. Pull up another small bit, center it and throw another small vase. Cut it off… repeat… again, and again!!!

And of course… smaller vases need smaller stamps!

A little stamping… on a little vase… with a little stamp!

Now they’re all stamped and wrapped up in plastic. Waiting to be trimmed and slip accented.

Categories: production, stamps
Categories: bowls, classes, process, production, stamps, textures

After Tuesday night’s bowl demo, I felt that some of the bowls needed a little “extra” lovin’. So last night I did some stamping & detailing to a few of the bowls. Unfortunately, my students aren’t around to see this part of the process. Hopefully this little “photo journey” will help clear up how the “magic” happens!

Bowl #1 – Originally fluted in four parts.
So I accentuated the four parts with some “sectional” stamping!
Playing along with the design & geometry of the bowl, now accented with stamps!

Bowl #2 – Originally a plain bowl with a bent-out, flanged rim.
Now with a little accent border of stamped texture!

Bowl #3 – Originally a flared out rim & fluted edges.
Now with a border of stamping just below the fluted fun.

Bowl #4 – Originally a large plain flange on a small bowl.
Which is really just a great “canvas” to do some stamping, right?

Bowl #5 – This one was originally just a bowl with a split rim.
Now it’s stamped and pinched back together in all the right places!

Bowl #6 – In class we left this one with the split rim and pinched together in 8 places.
I added a couple stamps, some little add-ons and a bit of curving.

Categories: bowls, process, production, stamps

Tonight I stamped the larger berry bowls that I threw last night. Sure, they were still a little damp… which just makes it a little tougher & a little squishier. But sometimes that makes for deeper & more dynamic impressions!

BOWL Aplain and full of potential…

The chosen stamp…

The bowl after stamping & fluting… no longer plain…

Potential fulfilled.

BOWL BAnother plain bowl ready to go…

BOWL CReady for action.

BOWL Dnot just your average bowl… soon ‘nuf.

BOWL Ewaiting for the party…

PLATE – of course the drip plates that go with the berry bowls need to be stamped too!

So now they’re all wrapped up and drying a bit more under plastic. I’m hoping to get back to them tomorrow for a little trimming!

 

 

Categories: classes, stamps

In tonight’s wheelthrowing class, we covered the basics again, cylinders, taller cylinders, soap dispensers – even a quick flower pot. Busy class. Then we ended with one of my favorite topics… stamp-making!

Categories: bowls, production, stamps

After teaching my class, it was back into the studio to finish stamping the rest of the bowls. Luckily, they had stiffened up just a little bit more so they weren’t sticky any more… and a lot easier to stamp! So it was a late night of stamping. But I was glad to get them done as they were in just the right state for some good, clean stamping… which for me, is on the slightly wetter end of the leatherhard spectrum. I’ve gotten to where I like a little squish in my stamp. Kinda like a little spring in my step…

Categories: bowls, production, stamps, studio

Tonight I tried to stamp a few of the bowls I threw last night. They were still a bit too wet for my liking. A little too sticky. But with a little patience & perseverance, I did get a couple of them stamped & decorated before class started.