Making grooves… pressing stamps… making frames… playing with textures on another Texture Tuesday!

Celebrating another MUGSHOT MONDAY while getting ready for my next art fair… prepping , pricing & packing some new pots for next weekend’s Glenview Summer Art Fair… Saturday, July 30th & Sunday, July 31st.

When dealing with drip runs & chunky bottoms with errant kiln wash… nothing works better than the DiamondCore Grinding Disc. Just wet the disc, wet your pot, and press the mug bottom to the disc while it spins fast on your wheel. Before you know it, the excess comes right off the bottom. And if your turn & shift your pot just right, you can get a pretty “perfect” footring on a pot that might have been “ruined” by a bad bottom!

A quiet Sunday night in the studio… just me and a few more mugs in the making! Whenever I can’t decide on what to make… MUGS seem to be my “go-to” default… every time!

After pulling my reclaim out of my orange reclaim bin, it was time to re-fill it with some more clay scraps. I’ve had these bags sitting in the corner of my studio for two months now… ever since my trip to Minnesota for the St. Croix River Valley Pottery Tour. And today was the day to get rid of them!

One of my pottery friends lives up in Minneapolis and for some reason chooses not to reclaim her own clay. Instead she bags it up… and luckily for me, it’s waiting for me to take each year when I’m up there for the pottery tour. Sure, it’s a lot of work… but I think it’s well worth it… FREE PORCELAIN?… I’m in!!!

So I dumped out the clay one bag at a time. And went after it with a rolling pin to break it all down to small pieces which will “dissolve” faster and create a smoother reclaim slurry.

But then I found a few bags that much larger chunks in them… so I had to pull out the big guns… and actually break it up with a hammer… before I could rolling pin it!!!

The finer the clay is pulverized, the smoother my reclaim will be… which kinda equates to less wedging later. So it behooves me to do the work upfront before it goes into the reclaim bin.

So now all of the porcelain scraps have been broken down and put into my bin… covered with water, and stirred up. It will sit in there for two weeks or so until I’m ready to pull out the reconstituted clay to put back on the plaster bat to dry it out. Sure, it’s a good amount of work… but FREE CLAY is FREE CLAY… and FREE PORCELAIN is even better!!

After weeks of slaking down, it was finally a good day to pull out my latest batch of reclaim clay. Lots of scraps, trimmings & dried clay bits all soaked down in my big orange bin… and now setting out on a large plaster bat. The clay will sit on the bat for a few days as it slowly absorbs the water and helps to dry out the clay. When the clay gets stiffer, there’s a LOT of wedging in my future! But I’m in… FREE CLAY is the best clay!!!

Handles attached… another batch of mugs done!!! I’ll let them sit under plastic overnight so they don’t dry to fast. Then tomorrow I’ll unwrap them and smooth out anything that needs to be attended to before I let them dry.

Handles pulled by hand & gently looped over so they can start to set-up a bit. I like them to be malleable, and yet not sticky & squishy when I start to attach them. And by looping them over this way, I can establish 90% of the handle’s curve before they start to set-up… so I won’t be bending “drier” clay too far later!

MAKING MORE MUGS!
Lots of stamping done… before I can trim & add handles tomorrow!

So I’ve been doing a little stamping today… making more mugs with a bunch more stamping!!! So I thought it might be fun to show-off the before & after… and the stamps that did most of the work!

MUG #1 –

MUG #2 –

MUG #3 –

MUG #4 –

MUG #5 –

MUG #6 –

MUG #7 –

MUG #8 –

MUG #9 –

MUG #10 –

MUG #11 –

MUG #12 –

MUG #13 –

MUG #14 –

So for now, they’re wrapped up under plastic… waiting to be trimmed & handled on another day!

In my SURFACE DECORATION class last session, we focused on a different technique each week. One of the projects was MISHIMA… a great technique for “illustrating” on your clay. Leaving fine-line illustrations or geometric lines on your pots.

Of course it helped a bit that I had made a batch of cylinders, trimmed them, and dried them to leather heard just for the demo. You know my students LOVE when I come to class with pre-made class demo pieces for them to work on!!!

After making a plan, my students started by painting a layer of wax resist over the entire outer surface. Once that was layer of wax was hard & no longer sticky, they started to carve through the wax, deep enough to carve into the clay was well. The idea being that the carved lines will be filled with a dark underglaze later… filling in the lines, but the wax will keep it off of the other areas. Some people just worked on a blank cylinder, while others painted an underglaze image first, and then painted the wax over the top of that.

Once they finished carving, they painted the top surface with an underglaze. Most people used black, by Christy decided to get a little “crazy” and went for yellow under glaze to “pop” off of her black painted cylinder.

After filling in all of the carved groove lines, we carefully washed off the top surface… revealing the picture as the underglaze remains in the carved crevasses.

We had some pretty amazing illustrations come out during this process. I love how the designs kinda “disappear” while carving, but then the underglaze filling the patterns makes them “pop”… and kinda looks like a carved wood print.

And who would have thought… that Christine’s carved mishima pattern would pretty much end up being a splittin’ image for my mask?!!!