Gary Jackson: Fire When Ready Pottery
A Chicago potter’s somewhat slanted view of clay & play
Categories: flowers, pottery, special events

I met a coworker of my sister a few years back.
They’re both teachers at the same school.
He was a novice potter and became enchanted by my pottery.
He was a fan, and a great friend to my sister.

Unfortunately, he recently passed away from a chronic heart condition. My sister donated a vase from her own “Gary Collection” flowers to be presented at the memorial service. She knew that he would be looking down admiring, and his family will be able to keep the vase as a keepsake for years to come. Such a sincere, loving & thoughtful memento.

A beautiful friendship… A beautiful thought… A beautiful life.

Categories: artists, family, Mom & Dad, pottery

So I’ve posted about my Mom’s handmade pottery aprons before…
but then I must admit that I got distracted, overwhelmed & slid right into holiday frenzy mode! I know some people expressed interest in them then… so I’m posting them again! This time I am not so busy… I promise to follow through this time!!!

It was a bit reassuring to see that there weren’t really any good pottery aprons at the NCECA Expo. Not that we’ve “invented’ the apron or anything… but I do think we’ve designed a pretty sweet apron. It “works” in all the right places! Many of the potters at Lillstreet are already rockin’ a durable “Mom original” apron.

Here are some quick details about the aprons…
*  durable & washable heavy broadcloth fabric
*  lower section splits into two panels to cover each leg as you sit at the wheel.
*  patch pockets on the back of each hip.
*  straps actually go over the shoulders to avoid neck strain & fatigue.
*  three buttoned height adjustments.
*  three buttoned width adjustments.
*  “one size fits all”… for the most part.

Here is my friend & potter Greg Schultz throwing a large pot on the wheel…
and keeping his clothing clean all at the same time!

The following shows the current apron inventory. I have them for sale in my studio at Lillstreet. If you are interested in purchasing an apron – please send me a quick e-mail to “secure” your choice. They’re $50 each which includes shipping & handling (within the contiguous US States)… and they’re first come, first serve! Don’t miss out.

APRON A
From the “Eclectic Collection”, a patchwork mix of gold-brown-earthtone
geometric patterns & textures. SOLD to Pam in Wisconsin!

APRON B
From the “Eclectic Collection”, a striped patchwork with assorted pattern accents.
SOLD to Nikki in Illinois!

APRON C
Navy blue with a small pattern of green, red & light blue across the apron.

APRON D
A blue “denim” background with some printed patterns in yellows, reds & greens.
SOLD to Verna in Montana.

APRON E
A cool mint green apron with whimsical butterflies flying across the apron.
SOLD to Fiona in Indiana.

APRON G
A mind-bending pattern of black & white.

APRON H
A retro-vibe with a musical flair!

Again, just let me know if you would like to purchase an apron.
Send me a quick e-mail to “claim” your apron. My Mom would be thrilled
to sell some more of them… which then means she can make some more!

 

Categories: artists, mugs, pottery

Who knew that there would be beautiful pottery to purchase at NCECA?!
I expected to see lots of potters, tools & schools. Lots of pottery in gallery displays.
Sure, I probably could have read the NCECA Program a little closer. But I was excited to see so many great artists represented by different galleries… with so many great pots & pieces for us to purchase. And I did. I decided this was a great opportunity to add to my already overflowing “Mug Collection.”

Stacey Stanhope, Vermont
I love the rustic, yet whimsical, sort of woodcut designs. Love the simplicity & humor of the basic mug with a very comfortable handle & incredible illustration.

Karen Newgard, North Carolina
So many of our long bike rides have taken us through rural farmlands. The imagery in Stacey Stanhope’s mug (above) is very familiar… but these red-winged blackbirds made me smile. And reflect upon so many rides where we’ve seen red-wing blackbirds watching us, and occasionally swooping down at us if we got to close to their nests. I really like the simple, slightly crude, sgrafitto technique… with a tiny splash of color in just the right places!

Matt Long, Mississippi
The perfectly thrown, yet loosely altered & undulating shapes of Matt Long have intrigued me for years. My own personal “control issues” just don’t allow me to throw “loosely.” So I’m intrigued by people who can – and can make it look so simple. add some beautiful colors, slip & flashing and you’ve got one stunning mug!

Kip O’Krongly, Minnesota
I first saw Kip’s beautiful work up at Northern Clay Center in Minneapolis. She wasn’t there, but I loved the pieces in her studio. About a year later, I finally met her in her studio and got two wonderful bicycle plates. So it was just a matter of time before I added one of her bicycle mugs to my collection!!!

Categories: artists, creativity, friends, gallery, inspiration, pottery, special events

Today was our NCECA personal field trip. My friend Nancy Jana-Kent and I played hooky and went up for one day of the NCECA Conference. She’s the biking friend I’ve known for years, and suggested that we both take our first pottery class at Lillstreet many years ago. So it’s all her fault that I’m so addicted now… anyway…

We arrived in Milwaukee this morning after a rainy & gloomy drive. We registered in the lobby of the Wisconsin Center and then head off to see stuff. We didn’t really know where to go, what to see, what to do. We didn’t really do our homework beforehand. So Nancy & I were just winging it… ready to see a little bit of everything!

We started by dropping of my two cups for the Annual Cup Show. The actual sale event is not until Friday morning, but the tables were already filling up with mugs. I wish I could be there Friday morning to see how many mugs there end up being for the fundraising sale.

We then went into some of the smaller galleries. Each conference room had been transformed into a small gallery space. Our favorite was the gallery showcasing the work from the Archie Bray Foundation. Headlined by Steven Young Lee… who is one of the current “hot potters” in all ceramic world. He’s in all the magazines. He’s all the rage. He’s the hot ticket these days. He’s been making these beautiful, traditional Asian blue & white porcelain vessels… with one really big flaw! Okay, maybe it’s just me… but I don’t get it. I’m sure there is some very hoity-toity, symbolic artistic meaning behind them… but I would rather having the stunning vessel BEFORE the “accident” happened. Either way, even though I don’t “get it”, I can still admire the technical craftsmanship that goes into them.

A beautiful collection of wall pillows – with incredible dotted & drawn details by Giselle Hicks. Each individual pieces is pretty spectacular… but put them together into a “puffy quilt” and it’s even better!!!

Not a lot of purely practical & functional pottery in the gallery spaces. So I was really drawn to Paul Donnelly‘s beautiful set. Nicely thrown, beautifully assembled & glazed. But the coolest part was the unique wooden trivet-tray that all of the pieces rested on… and if you picked them up, the foot of each cup fit into a carved recess in the tray! Brilliant!!!

We also saw this great “set of ladles”… sorry, forgot the artist’s name?… but it brought up the conversation about how neither Nancy or I have ever made clay spoons?! And that we both think we should try it.

Okay, so by now you might know that I kind of have a “thing” for roadkill. So many bike rides have taken us so many over the years. So I loved this “ceramic roadkill” by Beth Cavener. Now I’m not really sure that that was her intention… but that’s what I read into it. And I loved it… all that was missing was the “smell of death.”

While in the “Grounded In Wisconsin” Gallery, I saw this really cool wall piece by Marta Matray. I loved the “pillow” volume, the texture and the beautiful flashing colors.

As we were leaving the small gallery spaces, we ran into another Lillstreet potter Marian Castro-Palanyk, who joined Nancy & I for the day. As we headed upstairs for the Resource Hall Expo, we turned a corner and practically ran into Aaron Nelson & Steven Lee. Two former teachers of mine from the old Lillstreet days. And now each of them have become “pretty big deals” in the ceramic world. I took wheelthrowing class & my first glaze chemistry class with Aaron. He is currently the artistic director at Medalta in Alberta, Canada. While Steve is the resident artistic director for the Archie Bray Foundation in Helena, Montana. Both “big wigs” in the clay world… always a bit surprised that they even remember me?!!!

As we entered the Resource Hall, I was kind of surprised to see a couple pottery galleries actually selling pottery. I kind of expected to see pottery in “galleries”… and not for sale?! Pleasant surprise, huh?… cha-ching $$$.

Always fun to see… Artstream Nomadic Gallery! A wonderful diversion & creative re-use of an old silver Airstream trailer. The entire unit has been converted & transformed onto a traveling ceramics gallery! Alleghany Meadows was the mastermind for this brilliant concept… and he makes pretty amazing work too!

So we continued through Resource Hall and saw a LOT of booths selling tools, glazes, books, clay, wheels, kilns… and did I mention tools?! We did a lot of shopping, bought lots of tools, and ran into a bunch of friends along the way. It was great to see so many familiar faces… Glynnis Lessing, Delores Fortuna, Amanda Syler, Dave Trost, Dustin Yager, Steve Lee again… and so many other familiar faces hovering around the Lillstreet Art Center booth.

We shopped and made it though about half of the Expo, when we broke for lunch. Incredible nachos across the street.. and then back for more shopping. More tools. More fun.

One little surprise along the way was when we stepped into the Coyote Glazes trade show booth. Lots of colors. Lots of glaze swatches. Still visually overwhelmed. But very pleased to see a mug there that I recognized!!!

Scott Reed from Symmetrical Pottery in Florida makes these awesome “sheet metal” mugs! And there one was glazed in Coyote “Root Beer” glaze. I’ve only “met” Scott online through blogs & Facebook. I’ve seen his work & techniques change & grow very quickly… and continue to see a LOT of pictures of his pots on Facebook. This was the first time I had the pleasure of seeing one of his mugs in person!!! Click here to see more work from Symmetrical Pottery on their Facebook page.

At one point in the Expo, I stopped off at the Medalta booth to say “hi” to Aaron again but he wasn’t there. Ironically though, they’re doing a Call For Entries for a “Spoon Show”… and didn’t we just say that Nancy, Marian & I were all going to tackle making spoons?! Coincidence?… I don’t think so!

We continued to work our way around the Expo. So many things to see. So many people to talk to. It gets very overwhelming very quickly. I’m sure it’s not so bad if you’re there for the full, multi-day conference. We were there for one day today, and determined to squeeze it all in. And I think we did a really good job!!!

As we were getting ready to leave the convention center, we were headed towards the escalator when I though I heard my name?!… Turns out it was my good friend & ceramic artist Cory McCrory! I was so glad to see her there… and a little sad that we were on our way home, and not staying to play longer!!! But we were exhausted… wallets spent… and ready to head home to re-live & admire our purchases!!!

 

Categories: bowls, classes, clay, pottery, process

Every session my Tuesday night Wheelthrowing Class “challenges” me with something new & different. It’s usually Week Nine when I get to do the challenge piece. We’ve tackled things from goblets to Menorahs, from oyster plates to lotus fluted bowls. Never one to turn away from a challenge, tonight we tackled yet another one… MARBLED CLAY.

So I did a little prep work ahead of time in my studio. I started with two different clay bodies that fire to a dramatic color difference. The clay on the left is Stoneware With Ochre which fires to a dark chocolate brown. The clay on the right is B-Clay which fires to a light gray color.

I cut thin slabs of clay and layered them together.
Trying carefully not to add air bubbles in between the layers.

Here’s the stack of layered clay from the side.

A quick pounding on the table, and a slice in half…
followed by stacking them one on top of the others.

I did some very minimal wedging to “mix” the two clays, but not enough to totally blend them together. Remember, we’re going for marbled clay. So I may need to deal with a few air bubbles along the way from not completely wedging the ball. But keeping a “good swirl” is more important at this point.

Let the throwing begin… slap it down, get it wet and start throwing!!!

Notice how the marbling effect disappears pretty quickly when it gets all blurred together with slip & slurry. If you look close, you can see a hint of marble… but not much.

Center. Open. Widen. Curve. Compress. Throw. Rib. Suddenly it turned into a bowl.
The bowl stayed loosely under wraps as I wanted it leatherhard for trimming in my class.

Fast forward to tonight… when the bowl had stiffened up to a leatherhard state…
ready for trimming. As you can see, the “blurred’ color mix”skin” is still there
hiding the marble effect.

So for one time only, I told my students they can trim the “inside” of the bowls. Generally the rule is they can only trim the outside & foot of a piece. Never on the inside!!! But for the marble effect to show, you need to trim off all of the “skin” from the pot. Luckily, I kept the bowl attached to the bat. That way, when I put it back on the wheel the bowl was still perfectly centered. So I started with my a wide loop tool to trim the inside. I wanted to make sure my loop tool didn’t have any corners.

After a quick trimming of the “skin” the marble effect is revealed. Keep in mind that I’ve marbled Stoneware With Ochre with B-Clay. So my hope is that the white clay will stay light, while the brown-ish clay will fire to a dark chocolate brown.

A quick flip, and I did the same on the outside and trimmed a foot ring. Let me just say, it was a little mesmerizing & a little tough to see as I was trimming the foot. Too many swirls. Too much contrast. Too many stripes all spinning around. Good thing I don’t have vertigo!!!

So there it is, my bowl thrown with marbled clay. I’m sure every bowl would turn out different with this marbled clay trick. It’s a matter of how much you layer, how much you wedge and probably even which way the clay is sitting on the wheel?! It’s a pretty fun trick… and my students were impressed. Especially when I threw a fresh, new bowl with marbled clay as a demo… and then did the “cooking-show-switch-out”… and produced the leatherhard one to do the “skin” trimming right in front of them!

 

 

Categories: bowls, classes, pottery, process

You know I usually cringe when one of my students starts off with that.
“So I saw this video on YouTube…”

I love when there are so many tips & tricks out there for potters, but frequently they’re also learning “bad” tricks along the way. So I’ve tried to steer clear of YouTube for the most part. But recently, I did do a quick search looking for new techniques to share with my students. This week is Week Eight for my class so they’re well on their way… and ready for some more surface decorating techniques.

We’ve already used colored slip to change the color “skin” of their work. But when I saw this slip trailing… err, dripping… I though that my students would love this trick. And it’s not too advanced. It appeared to be pretty easy… so of course I decided to go for it. And “teach” this technique to my students without ever practicing myself!!! And quite honestly… I think it worked out pretty well. Click here for the YouTube video of slip trailing on a bowl. You may not understand a word he says… but the video alone is pretty mesmerizing! Here’s a still shot from the video…

Basically, you cover the surface with a thick layer of slip. The add a couple spirals. Then add some “drips” that will run down through the drawn spirals. The demo pieces on the video are a bit cleaner than mine… but I’m sure he’s been doing this technique a bit longer than me. Can you say 10 minutes?!

And once I had some confidence after the bowl, we tackled a more vertical surface on a taller vase. More room for the slip to run & drip. Click here for the YouTube video of slip trailing on a vase. Again, I think the potter may be speaking Russian?… and I’m not sure if this is “his” signature style or if it is more of a traditional Ukranian style of decoration? Here’s a still shot from the video…

We did learn a few things along the way. My slips probably should have been sieved through a fine mesh screen. And I should have tried to get them all to be a better consistency… a couple of them were a bit too watery. And I think I needed to make the base layer and the horizontal spiral with thicker slip so that there was enough slip to “move” as the drips pushed down.

After we had “played” with drippy slips, I switched it up and did a much cleaner demo for my class. I took a wet-leatherhard bowl and did a carved texture pattern around the outside wising my round loop trimming tool and a smaller sgraffito loop tool. It’s a carving technique I learned from Amy Higgason of Pigeon Road Pottery. She used to be one of the Lillstreet studio artists, but now she lives up in the Wisconsin Northwoods. Luckily, she has shared her carving techniques and they still pop-up from time to time. In fact, she even did a demo for my class a few years back… click here to go to the blog post!

So now all three pieces are done, back up in my studio, and wrapped up for the night. I still need to trim the slip decorated pieces, but I need to wait until the slip is a bit dryer. All in all, I think it was a pretty successful evening. Several of my students gave it a shot & had fun with drippy slip… and I hope when they get around to trimming a few more pieces they may consider some decorative carving!!!

Categories: classes, lillstreet, pottery

Register for my wheelthrowing class quickly and save some money!!!

Yep, I will once again be teaching my Beginning & Advanced Beginning Wheelthrowing next session at Lillstreet Art Center. My class is on Tuesday nights from 7:00pm-10:00pm. It’s pretty much for “beginners” of all levels. Whether you’ve thrown on a wheel before or not… whether you’ve ever touched clay before or not… or just like to play in the mud!

Registration is already open – and my class is filling up fast! Don’t miss out!!!
Click here for online registration.

Categories: pottery, process, production, studio

So I went back into the studio today hoping to find that my lightbulbs had been replaced.
Sadly, not so much. So it was another day of working “in the dark” with my little task lights. Ike did stop by to check on the bulbs, and he found out that they’re currently out of replacements. So he needs to order more… and I need to wait. Great… just great.

Twenty balls of clay… twenty berry bowl plates coming soon.

Almost done… only one more to go!
And finding that throwing in the dark is somehow more relaxing. Who knew???

Under cover of darkness, I finished throwing the small plates.

I putzed around for awhile, and then realized that that they were drying up pretty quickly. So I decided to do some decorative fluting on the edges before I wrapped them up for the night.

Categories: bowls, pottery

Today I was contacted by an Estate Sale coordinator. She was asking if I sign my pots with the signature “Gary.” After a little double-checking, I found out that a collection of my work is going up at an Estate Sale at the end of the month. Hopefully another pottery-lover will snatch them all up to start their own collection!

I find it pretty cool that she could track me down purely by my signature!
Although I’m still not quite sure how I feel about my pots being in an Estate Sale???…
I guess better than a Goodwill or Salvation Army, huh?

Click here for the link if you want to go snatch them up yourself.
I’m sure you’ll get a great deal on them!

Categories: artists, pottery

It might be freezing here in Chicago, but it’s never too soon to start planning
my annual Spring trip to Minnesota for the BIG POTTERY TOUR!!!

So excited… my poster arrived today for the St. Croix Valley Pottery Tour!!!
Fifty-one amazing potters at seven studio locations. All along the beautiful
Upper St. Croix River Valley. Beautiful scenery. Beautiful pots!

If you want to get excited too, click here for their website! www,minnesotapotters.com.
And then mark your calendar for May 9th, 10th & 11th… Mother’s Day Weekend
and I’ll see you there with shopping bags in hand!