
I frequently get asked what my studio looks like…. well, here it is as I was working at my wedging table this afternoon. A lot of pegboard. A lot of tools. A lot of handles to be attached to mugs!!! And one of my favorites on the TV… any guesses?


Gary Jackson: Fire When Ready Pottery
A Chicago potter’s somewhat slanted view of clay & play |

I frequently get asked what my studio looks like…. well, here it is as I was working at my wedging table this afternoon. A lot of pegboard. A lot of tools. A lot of handles to be attached to mugs!!! And one of my favorites on the TV… any guesses?


After the workshop, I was back in the studio to turn my stamped cylinders into mugs.
So I started by wedging up some reclaim clay. It’s the same clay body as the thrown cylinders, but I needed to dry it out a bit as it was still too squishy. So I wedged it and then flattened out pieces as slabs so the moisture would soak into my canvas-covered table faster… and then wedged it back up again. I then cut it up into 36 nuggets of clay… one for each of the cylinders. It’s going to be a LONG afternoon!

Then I take each “nugget” and slam it against the table, throwing it a bit away from me so it compresses and elongates at the same time. I rotate the nugget in between each toss. After a few times, you start to get this “carrot” shaped piece of clay.

Then I pull my handles the old-fashioned way. Holding the thicker part of the “carrot” at the top, wetting my hand and sliding it down with a bit of friction. It’s that repeated swipe of friction that starts to lengthen the clay and make it into a strappy handle.Once I get it to the width & thickness I like, I do a quick flick, loop and squish to get them to stand up like this. I like how it establishes the curve of the handle right at the start. Easier than trying to manipulate a straight strap into a curve later.


I let them set-up for about 15-20 minutes. I want them to be malleable, but not sticky or squishy. Then I set in to attaching them. I do a bit of scoring on the cylinder, and then cut off the “good” portion of the handle that I want to use. I score the end of the handle and add some slip. Carefully squishing them together and smoothing out the attachment. I always do the top attachment first, but then do the same for the bottom once I’ve established the right size for the handle.

One the handle is attached both top & bottom, it’s on to the task of smoothing it all together. Trying to make it look nice and smooth, like the handle has grown out of the mug and is actually part of the mug… not just a squished on attachment.



Score. Slip. Repeat…Â Score. Slip. Repeat…Â Â Score. Slip. Repeat…Â 33 more times!


And now all 36 mugs are back under wraps for the night.
Tomorrow night I plan to add some accents with colored flashing slips.

Last night was the opening of the new Mugshot Monday Show at the Lillstreet Gallery.
It was a nice collection of mugs as curated through the many potters who post on Instagram for #mugshotmondays.
I was totally transfixed by these highly “constructed” mugs by Colby Charpentier.
Such an amazing assemblage of porcelain parts & pieces… like these…


In the end… this masterpiece will soon be joining my own Mug Collection!!! WHOO-HOO!!!

And then after snatching up the incredibly complex mug….
I decided to add yet another mug… much more simple & subtle… and unintentionally sticking with a monochromatic porcelain theme with this understated beauty by Bianka Groves.

I started the evening with a bunch of cylinders… thirty-six to be exact.
They were way too plain… begging for a bit of textured fun.

So I grabbed two stamps and set forth… first, a single row of lager stamps along the indentation. Which by the way, is the perfect “trick” to help keep your stamps straight.

Then a little “detailing” inside of the indentation to break it up and make it look a bit les obvious.

And then the same small stamp turned and tapped under the original larger stamp.

And here are the two stamps that did all of the work…

One done… thirty-five more to go!!!

Done… ready to be wrapped for the night. Trimming & handles still to come…

Last night in class my Beginning students trimmed & added handles to their first mugs!
Here’s my class demo… and sure, I “might” have done a little stamping on mine too?!!!
Shocker, huh?

Stamped & soda-fired mug with some great grooves accented with a colored flashing slip.


It felt great to be throwing again. Starting with my favorite… a quick two dozen cylinders to become mugs. I have “big plans” for these ones… but not until next November! Okay, so I’m starting “early” on a personal project I’ve been putting off for about three years now!!!


And for now they’re covered for the night… waiting to be stamped, trimmed & handled.

During the final pottery class of last session my students did a “double” mug exchange. Each person donated two mugs into the mix, we did a “brown elephant” trading/stealing game… and everyone went home with two mugs from other people. I came home with a colorful beauty from Katie, and a sleek white contrast mug by Steven. And I’m excited that they’re both coming back tomorrow for the start of a new session. I can’t wait to see how they grow & change from here!


So what better place to be than curled up in front of the fireplace with some hot cocoa in a stamped handmade mug. Looks familiar. Thanks to my buddy Pammy for showing off how she spent her afternoon!

With so many people feeling a bit under the weather these days, it’s good to see some people are finding solace in their handmade pottery… with a few additives purely for medicinal purposes. Thanks Rick for sharing… I hope you’re feeling better soon!

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Gary Jackson: Fire When Ready Pottery
Lillstreet Studios ∙ 4401 North Ravenswood, Chicago, Illinois 60640 ∙ 773-307-8664 gary@firewhenreadypottery.com |