This afternoon I unloaded another kiln. This time it was a regular cone 10 reduction kiln
that I shared with my studio-neighbor Karen Patinkin. We have a pretty sweet kiln deal –
I load the kiln, she fires the kiln, I unload the kiln… well, for the most part anyway.
So the kiln was fired on Wednesday, cooled all day yesterday and was ready to unload
this afternoon. It’s always fun to open a new kiln. To see how the glazes have developed
and changed the look of each piece. Ideally, the glaze will always make the piece look better.
Yet we all know that doesn’t always happen… so here are a few samples where it did work
as planned! More pieces for the upcoming art fair season!

Mental note to self… remember that this light wood laminate studio shelving is not
the best surface for quick photos of pieces straight out of the kiln. Especially when
those pieces might be glazed in a light ash colored glaze!

So while I was “trapped” at the studio all day long… even longer than expected…
I needed something to keep me busy. So I kept glazing. Remember the “two-week”
quickly kiln that I’m sharing with Karen Patinkin? Well, we’re finally getting around
to firing – next Wednesday. So I used today to glaze a bunch of pieces for next week’s
cone 10 reduction kiln. It’s been a busy couple a days!!!

With all of my new bisque work unloaded, it’s time to start the glazing process
for my next soda kiln. Luckily, for my soda pieces, I don’t need to glaze a lot.
I typically inlay glaze into the stamps, and then do a quick liner glaze… and that’s it.
So, here it is… I’ve started the glaze inlay process…

But there’s still a long ways to go…