

Gary Jackson: Fire When Ready Pottery
A Chicago potter’s somewhat slanted view of clay & play |


The glazing continues… and it’s pretty much taking over my studio!!!
And making quite the mess on my wedging table.

Since this is a soda firing, a lot of the surface “glazing” will be created by the soda atmosphere in the kiln. So I typically leave a lot of the exterior clay unglazed. Instead, I like to fill the stamped indentations with temoku glaze.

After painting over all the stamps with glaze, I then take a damp sponge and gently wipe off the top surface. Leaving the glaze in the indentations to help highlight the stamped texture.

Wiped clean, ready for wadding and the on to the kiln!

Had to start somewhere… so first up were these simple ikebana vase disks.

In my pottery class last night, we revisited the Glaze Room and dealt with some more intermediate glazing techniques. Double-dipping, glaze combinations, decorative wax resist, wood ash, stains, spraying and more. Of course we ended with everyone’s favorite. BUBBLES.
A fairly simple trick of adding DAWN dishwashing detergent to a small cup of glaze. Blowing into it with a straw to make bubbles. Then carefully applying them to a glazed pot. Nice patterns. Nice contrast. And so much fun to watch my students giving it a go… like Cecile!


Just getting ready for tomorrow’s big show! Unpacking, cleaning & pricing the pieces from Monday’s cone 6 glaze firing. And loving the quick pop of color!!! These porcelain cups are perfect for a quick sip of water, or a quick shot of something stronger. Some may call them yunomi’s… I call them adorable!!! Fun bright colors and very smooth to the touch. Ready to go tomorrow!!! First come, first served… just like the collaboration pieces with my metalsmith friend Amy Taylor!!! So come early…
And don’t forget… mugs too!!!… you know they’re my very favorite thing to make.
A fun & colorful diversion from soda-firing. I think I need to explore this cone 6 glazing a bit more. I’d love to find a few more glazes that are deep & saturated colors, and yet break well in the stamps. Any suggestions?… please feel free to add your favorite glaze recipe in the Comments section. Thanks.
So I finally finished glazing & wadding upstairs in my studio. My cart travels downstairs in the rickety freight elevator. So I add some masking tape “seat belts” so nothing jumps off during the ride. And now it looks like everything made it down to the kiln room in one piece… time to remove the tape…. and start the loading… giddy-up!!!
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Gary Jackson: Fire When Ready Pottery
Lillstreet Studios ∙ 4401 North Ravenswood, Chicago, Illinois 60640 ∙ 773-307-8664 gary@firewhenreadypottery.com |