Once again, I’m kicking off the New Year by turning out a new batch of reclaim clay in my studio. It’s a pretty big pile this time. Lots of trimmings & scraps all re-hydrated and ready to go. Unfortunately, I think I may have let it go a bit too long over the holiday break… and the pile is bit drier “stiffer” than I’m accustomed to.  I actually added some more water to it and stirred it up BEFORE I turned it out onto my plaster bat to get it to dry again. Kind of counter-intuitive. And I’m a bit concerned that the “wedging it back into clay” process may be a bit tougher than usual. I usually need to let it sit for a couple days to stiffen up… but this time I might be wedging tomorrow!!!

And every time I do this, it reminds me of “The Blob” from my childhood. Very few people seem to remember this, but it was really cool. “The Blob” was basically a pile of clay on a pedestal that “came to life” as an artist did some quick cutting & sculpting to give it a personality. To the best of my recollection, it was from the kid’s show “BJ and Dirty Dragon.”

My friend & fellow potter Greg Schultz gave me a container of slip. Apparently it’s just “some mud” that he dug up out of the ground and “processed” into a slip. This was the first time we were trying it in the soda kiln firing atmosphere. We assumed it would flux out pretty well. Maybe too well. So here are two test tiles that got a good amount of soda. The one on the left got more soda, the right one less soda.

And here’s one “test” mug which I painted the top portion with Greg’s new “mud” slip. It fluxed out really well, “broke” in all the right places and kind of has a temoku glaze appearance after soda firing. If you look closely, there’s also some crystals forming it the slipped areas too.  Love ’em. I now need to do another test where it would get hit with a lot less soda. To see if a drier section of the kiln might give us a different effect. This mug was on the very top shelf where things tend to get a LOT of soda on them. But so far… very encouraging!

On our way out of town, we just had to make one last stop at my “other favorite place” in Minneapolis. Let’s just the car is a few hundred pounds heavier than it was before!

This afternoon I made a quick trip to Chicago Ceramic Supply.
So I now have enough terra cotta & clear glaze to start some Halloween production!
Tis’ the season to start carving Jack-O-Lanterns, right?!
Especially if I hope to have some ready for “Art In The Barn.”

“Art In The Barn” – Saturday, September 28th & Sunday, September 29th, 2013.
On the grounds and in the barns surrounding Advocate Good Shepherd Hospital
in Barrington, Illinois. I will once again be in my double booth in the Lower Barn.
More details to come when it gets a bit closer.

Click here for more information about Chicago Ceramic Supply.

Last night I continued my reclaiming of the “free” clay I got from Katie B.
The clay I had sliced thin was all dry, so I broke it up into small pieces and added it to my reclaim bucket. I then added enough water to cover the dried clay. Bubbles. Gurgling. And a slight hissing sound as the water seeped into the dry clay.

So now it sits… submerged & slaking. I’ll give it a few weeks, stir it up once & awhile, and when it’s ready… turn it back into “real” clay!!!

After camp, I went up to my studio to find a “surprise” pile of old clay to be reclaimed.

Katie Biderbost, one of my longtime pottery friends, gave me all of her “dead” bags of clay. She knows how much I love reclaiming to get free clay. So I sliced up several of the bags to help them dry out completely.

Tomorrow when they’re dry, I’ll crumble them up to add them into my reclaim bucket to begin the slaking process. Thank you Katie B. for the free clay!!!

Awhile back, I did a blog post about one of my students who was interested in adding some text to her pottery. She started using pasta letters… simply squishing them into the moist clay before bisque firing. Click here to revisit the original post on “Tracey’s Letters.”

Well, a lot of people have been asking for a follow-up… and here are some of Tracey’s glazed pots with “pasta-text” on them. After bisque firing, Tracey fills in the letters with glaze and then wipes the top surface away… leaving the glaze only in the letter indentations. This letter technique has been working well for her, especially with the dark “Stoneware With Ochre” clay body that fires up to a dark, yummy chocolate brown.

After a week on the plaster bat, it turns out that my latest batch of reclaim clay gave me 129 pounds of FREE clay! Okay, so sure there was a lot of slicing, layering, pounding, layering, slicing, wedging, bagging and sweating… so I guess it wasn’t quite “free” after all. But you still gotta love reclaim!!!

Yesterday, as I was starting up the kiln, I took some time to clean up my studio and turn out some more reclaim clay. Right now it’s just kinda a pile of goo. But soon enough, after a little drying & wedging, I will soon have a bunch of “free” clay!!!

Well, since we had covered most of the Pottery Tour on Friday, we decided to head the other direction today. So we went down towards the Twin Cities to do a little more shopping. Not quite as much fun as buying pottery and meeting great potters… but still a great place to buy clay & supplies. While we were so close, I figured we should stop by for some clay, canvas and tools!

After that we went to Northern Clay Center to do a little looking around. We were greeted by a great girl at the front desk. She was exceedingly friendly & informative. She pretty much gave us a full tour right there from behind her front desk! I was equally impressed about how she encouraged us to not only shop the gallery space, but to also go back into the building to visit the other resident studio artists. And that they all have displays of their work for us to look at and purchase from as well. I think we need that kind of customer service at the font desk of Lillstreet?!… maybe then we’d actually get some people up to the second floor? Instead of just people looking for their birthday party location… or people saying “I never knew this was even up here!”

Next we swung by a friend’s home & studio in Minneapolis. Emily Murphy was one of my studio “neighbor” (and total instigator of me even starting this blog – yes, it’s all her fault) until she moved up to Minneapolis. We stopped by to visit, see her adorable daughter Ada, see her studio and pick up a box of pots that she wanted me to take back to the Lillstreet Gallery for her. Yep, so much better to save postage with hand-delivery!!! While there, she also mentioned that she had a lot of old glazes from her cone 10 soda firing days that she was looking to get rid of. And she thought of me! So the same buckets she moved from Lillstreet up to Minneapolis were now making the same trip back from Minneapolis down to my studio at Lillstreet.

After some time in Minneapolis, it was time to head up north to the Tour… well, kinda.
We made a trip to Taylors Falls, which is in between stops of the “official Tour” for a visit with the Rogue Potters. It’s a great group of potters who have pulled together in a small dilapidated farmouse with a wonderfully decrepit kiln shed. No kidding. It’s all kind of falling a part – but in a GREAT WAY. So charming & so quaint. And sure it doesn’t hurt that you’re immediately greeted by Buddy the golden lab who comes running right up to the car to say hello. So we did a little shopping and a little chatting with Randal and the rest of the Rogues. We also went back to the kiln shed to look at their wood fire kiln. So lovingly charred, crusted and well-used.

For more information about the Rogue Potters, click here for their website www.roguepotters.com or click on their LINK in the far right corner of my blog.

After our time with the Rogue Potters, we went back to the “official Tour” to re-visit a couple of our favorite studio locations. And to make more fun of my friend Steven Hill. But first, we decided to go to sculpture park that we’ve driven past for several years, but had never stopped.