Gary Jackson: Fire When Ready Pottery
A Chicago potter’s somewhat slanted view of clay & play
Categories: classes, kiln firing, pottery, soda-fired

Tonight was the kick-off of my 3-Night Soda-Firing Workshop at Lillstreet Art Center. I’ve been firing the soda kiln for awhile now, and it’s always fun to share some of that knowledge with my students. The first thing I always stress is that soda-firing is very random based on the air flow of the flames & where the soda mixture lands. So we can “try our best” to plan for want we want… but no guarantees!!!

We started with a discussion & overview of soda-firing… then quickly moved onto glazing & wading our pieces. It was great to have some of my current & past student sin the workshop, as well as a couple “newbies” to Lillstreet. The group bonded quickly and were very helpful – working as a team to get everything glazed & wadded.

Once we were all glazed & wadded, we started to load the soda kiln. Always an interactive project with all students taking time to understand the process, the placement and the hopeful results of how location in the kiln might affect their final fired results. And then the loading began…

We discussed air flow, and how it will affect their pieces. The importance of putting different clay bodies in different areas of the kiln as each kind has a different finished effect. Luckily, we had just the right amount of work to put into the kiln… with just a few of my own pots to help fill-in here & there!

Once fully loaded, we added in the cone packs and then started closing up the brick door. Brick-by-brick. layer-by-layer…

When the door was finally bricked & closed… we called it for the night. For tomorrow I will fire the kiln, with students coming back in the evening to help add the soda mixture into the kiln.

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