Gary Jackson: Fire When Ready Pottery
A Chicago potter’s somewhat slanted view of clay & play
Categories: classes, process, surface decoration

In my SURFACE DECORATION class last session, we focused on a different technique each week. One of the projects was MISHIMA… a great technique for “illustrating” on your clay. Leaving fine-line illustrations or geometric lines on your pots.

Of course it helped a bit that I had made a batch of cylinders, trimmed them, and dried them to leather heard just for the demo. You know my students LOVE when I come to class with pre-made class demo pieces for them to work on!!!

After making a plan, my students started by painting a layer of wax resist over the entire outer surface. Once that was layer of wax was hard & no longer sticky, they started to carve through the wax, deep enough to carve into the clay was well. The idea being that the carved lines will be filled with a dark underglaze later… filling in the lines, but the wax will keep it off of the other areas. Some people just worked on a blank cylinder, while others painted an underglaze image first, and then painted the wax over the top of that.

Once they finished carving, they painted the top surface with an underglaze. Most people used black, by Christy decided to get a little “crazy” and went for yellow under glaze to “pop” off of her black painted cylinder.

After filling in all of the carved groove lines, we carefully washed off the top surface… revealing the picture as the underglaze remains in the carved crevasses.

We had some pretty amazing illustrations come out during this process. I love how the designs kinda “disappear” while carving, but then the underglaze filling the patterns makes them “pop”… and kinda looks like a carved wood print.

And who would have thought… that Christine’s carved mishima pattern would pretty much end up being a splittin’ image for my mask?!!!

Leave a Comment