Gary Jackson: Fire When Ready Pottery
A Chicago potter’s somewhat slanted view of clay & play
Categories: process, production, vases

So I started with some bottomless cylinders that I had already finessed into ovals. Then I added a smooth slab bottom, scored & slipped, and let them sit overnight after roughly trimming the slab with a smidge of a margin. I placed them on newspaper and under plastic. My hope was that the bottom slab might stiffen up a bit, but the rest of the cylinder would stay moist. And it worked. I also add a small tile weight inside so that there is no extra bulging or warping overnight. Not sure if there would be… but why not take the precaution just in case?

So today I came in to smooth out the bottoms for a more finished edge.
I start by cutting the bottom slab margin off with a needle tool.

Then I flip it over and do a light tapping with a paddle to compress the attachment
and create a bit of a beveled angle along the bottom edge.

More fun with a good action shot, right?

Then I take a stiff green Mud Tool plastic rib to “shave off” the excess clay that bulged out during the paddling.

And then I do some gentle smoothing & refining of the edge. Establishing a good beveled edge, as well as smoothing out the attachment so it looks like it might have been all one piece from the start.

At this point the “could be” done… but I have more plans for these ovals!!!
So they’re wrapped up overnight so I can continue working on them tomorrow after camp.
There’s got to be some texture somewhere, right???

 

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