So I finally finished glazing & wadding my pieces. Exhausted. Relieved.
Once they’re all done, the go onto my rolling studio cart (that my Dad made for me),
and we all go downstairs on the freight elevator. A little rickety, but still much
better than carrying everything by hand down to the first floor!
And yes, that is masking tape stretched across each shelf acting as a “safety belt” to keep
the pots from hopping off the shelves as they jiggle down the hall & elevator.
Take the tape off, and I’m ready to start loading. The back stack is always the quickest.
I think it’s the fact that it’s one shelf, no seam and you have a whole cart of possible pieces.
When you get to the front, it’s two shelves with a seam between shelves to contend with…
and the selection of pieces left on the cart is beginning to dwindle. So it’s all a big game
trying to get everything in, packed well, but not too crowded, but crowded enough to get
my money’s worth! Too loose and everything doesn’t make it in. Pack it too tight and
the soda atmosphere doesn’t have any room to travel around the kiln –
and you end up with some dry pockets!
So here’s a glimpse of the back stack…. with tall, textured slab vases all the way to the top!
And here’s the completed front stack. Complete with cone packs… which I have
a tendency to forget until it’s too late and I’ve already started bricking the door.
Now that it;s all packed, the front door is bricked into place and it’s good for the night.
