After drying overnight, everything was “pretty much” dry.
So I loaded everything into one last bisque kiln. I’m firing my soda kiln
this Saturday, so it was important to get everything into this kiln. It wasn’t my
best job of loading… because I found myself with a lot of strange shapes & sizes.
Luckily, my studio neighbors Karen & Lisa were there with some “filler” to help
take care of some of the holes. You know how I LOVE a well-packed kiln!!!
Layer #1 -Bowls, ovals, dispensers, mugs & gourds!
Layer #2 – half a layer anyway... Bowls, gourds & “filler” from Karen & Lisa.
Layer #3 – not sure how to count this one?… is it another half shelf?…
or should I count the tall textured slab vases in this layer? Anyway… a platter & round fun!
Layer #4 – another half layer with another slab vase that was too tall so I laid it down
on its side… plus more “filler” from Karen Patinkin!
Fans blowing & oscillating!!!
I finished as much as I could in the studio today. Fresh work has got to dry overnight
as they all go into another bisque kiln tomorrow!!! Thus, the fans…
I love unloading a new bisque kiln. Somehow I feel so much better having my
new work fired and “solid”… instead of fragile greenware. With so much potential…
just some glazing & some atmospheric firing to bring out their inner beauty!
I’ve got one more day to “squeeze in” some more wet work so they can get into my next
bisque kiln on Tuesday. Then it’s going to be some marathon glazing & wadding
so I can get it all loaded into my soda kiln this comeing Friday night.
Plus… some new sets of bowls that I’m pretty excited about. Remember when I did my last
class demo on bowls, and how to alter each on to make them unique?! Well, the split rim
& square off bowl seemed to get a good response… so I made a “few” of them!
It’s been awhile, but tonight I finally loaded another electric bisque kiln. It’s been a busy
summer and I’m now faced with the reality that summer is almost over… and we’re zooming
towards the Fall art fair season! And I need to replenish the inventory. Quick.
Kiln Layer #1 – Mugs… and only mugs!
Kiln Layer #2 – Mugs, ovals, soap dispensers and piles of tiles. The dispensers are
upside-down because they’re still a little wet and I wanted the air to get around them.
Kiln Layer #3 – Some new bowls, votive holders and more tiles!!!
Kiln Layer #4 – Plates, platters and a LOT more tiles!!!
Plus one little test tile painting by my studio neighbor Lisa Harris.
Kiln Layer #5 -Some more new bowls, votive holders and… oops, ran out of tiles to fill!!!
And you know how I love a well-loaded kiln?!…
Well, this one is filled to the brim. Not much space left at the top. I actually held my breath
for a second as I closed the kiln lid and hoped NOT to hear any smashing!
I spent the afternoon in the studio trying to finish up some pieces with a few slip details.
As if the obsessive stamping weren’t enough, frequently I also go back and add a dab of
colored flashing slip into each stamp. I love how the soda firing makes these colors pop,
and adds another layer of interest into my work.
Who doesn’t need a little more obsession in their life anyway, right?!
Last Tuesday, I did some repeat demos for my class for those that missed them
the first time… or didn’t find them quite as easy when they tried to do them!
Totally fine by me. It’s their class and I’m more than willing to demo whatever they want.
And now I find myself with another demo platter thrown and waiting to be stamped.
Well, tonight was the night. First, I started by unwrapping the original platter which was
finally to a good state of leather-hardness to be stamped… just a little softer than
“trimming leather-hardness” typically is.
Then I start by making the first row of impressions with the chosen stamp pressed in one,
by one, by one, by one… again, and again, and again… until you get all the way around
to the other side! And I always have my fingers crossed that they’ll line up just fine!!!
Then it’s time for a second row of stamps to start the pattern…
After a couple more stamps, and a few smaller accent stamps at the bottom of each point
and the stamping portion was done.
Then it was time for a little rim fluting & curving to give the platter a gentle undulating
design. A simple touch to give the platter a completely different look.
Here’s a close-up of the curved rim – just before wrapping it up with plastic for the night.
So now it’s a waiting game until it is dry enough for trimming.