So I finally have a “plan”… and I decided that soda-firing would be the better option to finish this amazing platter. My friend Kristen carved the pattern and I don’t want to “glop-it-all-up” with too much glaze filling it in. Instead, I waxed the interior section and then sprayed a thin layer of mustard slip around the rim. Being careful not to get too much in & avoiding drips. I will now let it dry, then bisque it. The wax will disappear from the interior then. I will glaze the center section, and probably do some glaze-inlay around the rim. The soda-firing should help accentuate the carved textures & the colored slip will hopefully pick-up some cool flashing marks during the firing. Fingers crossed… but we’ll need to wait over a month for my next soda kiln firing.

To see more of Kristen Holub’s cool carving technique… follow her on Instagram… @kayhoceramics

Another plate. Another stamp.
Just added a textured rim around this dinner plate!

I had thrown a large platter for a class demo… and then it “lived under plastic” for a bit too long, getting too dry to stamp. So I gave it to my friend & former student to work her magic on. Kristen has been doing wonderful carving techniques on her pots, but mostly smaller mugs & bowls. I thought it might be fun to challenge her with a larger surface to decorate. And she did NOT disappoint!!! The platter looks AMAZING with her beautiful carvings all around the rim. It’s now back in my studio and I need to figure out where to go from here. To glaze or soda-fire, that is the question…

Check-out more of Kristen’s amazing work on Instagram… @kayhoceramics

Time for some more stamping… using one stamp pattern for each pot. Just making each one a little different… all the while hoping the stamps line-up & don’t overlap in some crazy way when I get back around to where I started!!! Fingers crossed…

After painting the underglaze, my SURFACE DECORATION class wiped off the top surface of their waxed pots. It’s always exciting to see your pattern be “revealed” as you gently wash away the excess. Hopefully, after a good bit of wiping, the surface will be clean with underglaze only filling the carved lines & patterns. When finished, these cups can now dry & be bisque-fired. The wax will burn away, the underglaze will be firmly in place & it’s time to glaze like normal. Fine line drawings with inlaid underglaze… voila’… MISHIMA.

The next step of our “mishima” class was to paint the entire exterior with underglaze when the carving of patterns was done. Idea being that the underglaze will fill all of the carved lines… but just sit on top of the wax resist in areas where there is no carving.

Last week in my SURFACE DECORATION class, I provided some simple leatherhard cylinders so they could all practice our “mishima” technique for the night. They started by painting the exterior with wax resist. Once it dried, they then started to etch their designs into the cup. The idea is to carve through the wax & slightly into the clay. Then we will inlay some underglaze into the fine line carvings. More to come…

And since we had a lot of “extra” ribbons of colored slabs… a few of my SURFACE DECORATION students continued on in different directions… yes please… by all means PLAY WITH YOUR CLAY!!!

Last night in my SURFACE DECORATION class, we tackled some colorful handbuilding projects using textured & colorized slabs. Everyone set out to hand-throw their slabs & add colored slips. Then we all got to use everyone’s slabs to “randomize” our quilt-like projects!

Carving another bowl with my favorite DiamondCore Tools! I started with an ombre’ blend of colored slips from blue to white… and then when it was a drier leatherhard, it was time to start carving a pattern through it! Pretty pleased with it so far… and I’m thinking I need to start making MORE of these!!!