Gary Jackson: Fire When Ready Pottery
A Chicago potter’s somewhat slanted view of clay & play
Categories: glaze, kiln firing, process, production, studio

I have a great rolling cart in my studio that my Dad built for me years ago. Turns out that when I fill the cart with glazed work, it pretty much equals a full soda kiln. So when I’m done glazing, I need to take it downstairs on the rickety freight elevator to the kiln room. I like to add bands of masking tape to the outer edges to keep the pots safe on the shelves during transit… kinda like a masking tape “seat belt”!!!

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