We work on creating a nice “curve” on the inside of the bowls. And then, once they start
making bowls, I quickly throw a bunch of bowls all “kinda” the same. We then reconvene
for more demos on how to change & decorate their bowls. I try to encourage them to “alter”
their bowls and not just settle for the “round bowl the wheel made for me.”  I also introduce
color slips as a design possibility. So here’s a quick overview of the ten bowls I made tonight.
Each on starting from the same basic shape… but then pushed just a little further!

Bowl #1 – Four Fluted – just four simple flips of the rim.
Bowl #2 – Eight Fluted – if four is good, aren’t eight better?!

Bowl #3 – Flanged Rim – take rim and fold it down
Bowl #4 – Flanged & Fluted – once the flange is folded out, a couple flips to flute!

Bowl #5 – Wide Flange – more flange, more style, less food?!
Bowl #6 – Impressed Petals – a simple dragon-scale tool makes a quick flower!

Bowl #7 – Split & Squared – a split rim, pinched & squared a bit.
Bowl #8 – Slip Spiral - cover the inside with slip then drag a tool through it while spinning

Bowl #9 – Slip Bands & Squiggles – cover the inside and drag again – this time with style!
Bowl #10 – Chattered Slip – cover the inside then do some chattering with a plastic rib.

So now all of the bowls are safe in my studio. I wrapped them with plastic to keep them wet
overnight. Tomorrow I plan on doing a bit more decorating… maybe some stamping?!
Shocking, I know…

After finishing their mugs, we then switched over to making stamps!
We always do it early in the session so that they can get them bisqued quickly. Then they
can start using them for the rest of the session. Tonight they made their first stamps…
let their texturing begin!!!

So I teach my students to sign all of their pots as well. And it’s one of my “pet peeves”
when they try to sign their pots with their sharp needle tool. I try to explain to them
that it is too pointy and will just make a scratchy signature that won’t look so good and
will have sharp edges all over the place. Instead, I suggest that they use a dull,
round-ended tool like a pencil, chopstick or ball-point pen to “displace” the clay as they
sign pots instead of painfully scraping into it with their needle tool. In my studio, I use
a ball-tipped tool for my signature. I found it, liked it… and bought a few of them!!!

So over the years, I have signed a lot of pots. And like I said, I never knew that many
people have “assumed” that I used a stamp to keep it so consistent. But it’s not a stamp.

But for those of you have known me and my pottery from the beginning…
you may recall some beginner pots that weren’t signed. My “early pots” have my first name
& year carved in with a needle tool. Yes, I did it too… a needle tool. I have since learned
better. But if you find an old pot with block lettering, we lovingly & mockingly
refer to those ones as “vintage.”

Tonight I trimmed a bunch of things, added bottoms to the ovals and
added handles to the mugs. Getting ready to wrap them up for the night
to keep them “workable” for another day. Once the moisture levels “balance out”
a bit, I’ll add a little slip for a splash of color and then they can start drying!

So I pulled out some stamps and started pressing them in. Making the first “impressions”
of the New Year. Sadly, the newest batch of stamps has not been bisqued yet, so I’m still
using last year’s stamps… picking from the “thousands” of stamps in my studio arsenal.

Next up… trimming the mug cylinders, adding bottoms to the ovals…
and handles to the mugs! Otherwise, they’d just be cylinders, right?!

And yes, I do put my name on every stamp… you never know who’s going to
borrow something, where they may “travel” on their own, and I frequently
let my class students borrow a few to decorate their pots!

Once the kiln is unloaded and the pots are packed up to take home, then the “real” fun begins.
Cleaning. Yes, the kiln needs to be cleaned after every kiln firing. Scraping shelves. Sweeping
out the fire box. Kiln washing the shelves. Sweeping. Cleaning. etc… all of that “glamorous”
stuff that no one realizes is all part of making that one pot they eventually see at the art fair!

And then it was time to load. Which takes me a lot longer than most people.
Especially with my “addiction” for filling all of the kiln shelf spaces. No shelf space left unfilled.
I’ve got tiles. I’ve got ornaments. I’ve got kiln filler galore!!! So here’s the back stack
of the kiln, one shelf deep. With lots of filler. And ready to start the front…

And then here’s the front stack which is two shelves deep. Including cone packs
in just the right places! Ready to be melted down!

So once it’s all filled up with pots, posts and shelves… it’s time to close the door
with individual bricks. Layer by layer. Brick by brick. Then a quick warm-up…
closed up for the night… and ready to fire tomorrow!!!

Layer #1 – bowls, ovals, tiles, ornaments… and a couple Karen Patinkin pieces!

Layer #2 – bowls, ovals, ornaments, tiles and soap dispensers.

Layer #3 – ovals, ornament, soap dispensers, tiles and more

Layer #4 – lots of tiles, a Karen Patinkin platter and some freshly made, still wet tripods
for firing my ornaments in the soda kiln. Yes, I made the tripods about 5 minutes before
loading them. Let’s hope they survive the firing?!!!

And, I think I may have redeemed myself a little better this time…
not as much empty kiln space as last time! I love me some kiln filler…